Edgar Allan Poe and Nathaniel Hawthorne were writers of the American gothic genre. They both used the elements of horror and mystery in their writing styles, writing about the dark side of humanity and the evil that lives within the human mind. Gothic writing focuses on the dark side of humanity and both Poe and Hawthorne captured this style well in their use of themes, symbols, and narration that focused on darkness and evil with their characters fighting various psychological issues. However, Poe’s stories are told in the first person narrative and he focuses on one human psychological effect, looking at man’s thoughts from within his mind and how his behavior then affects his surroundings. He also tends to build a sense on impending doom somewhat stronger than Hawthorne. Hawthorne, on the other hand uses the third person and focuses more on how man’s thoughts and behaviors are the results of what is happening around him. His stories also tend to be more of a romantic nature than Poe’s and he tends to create stories of conflicting interpretations to share lessons of life.
Both Poe and Hawthorne used symbolism to tell their stories. In The Tell-Tale Heart, Poe uses a number of symbols such as the old man’s eye and heart. The narrator compares the old man’s eye to the eye of a vulture. It seems dull with something like a film over it, obscuring clear vision, but at the same time it has power over the narrator. He states that the old man’s eye “the eye of a vulture….whenever
Edgar Allen Poe, although considered an outstanding author and poet, struggled with pain and death which he had endured throughout his lifetime. These experiences are reflected in his writings. For instance, “The Raven” and “The Tell-Tale Heart” which are both independent stories of Poe with distinct storylines shared a few commonalities. This includes the presence of death, the literary use of repetition and a late-night setting. In “The Raven”, the narrator has lost his wife and is desperate to reunite with her. When the raven first appears on top of his door, he hopes that it has come to bring him back his Lenore or to take him to her. The death of his loved one, Lenore, within the short poem leaves the narrator in a desperate and melancholy state. It reaches the point where he begins to grow frustrated when the bird doesn’t answer his questions about his deceased lover. In the text, it says “From my books surcease of sorrow—sorrow for the lost Lenore.” This quote shows the aftermath and effects of death especially when it leaves you without a loved one. Similarly, in “The Tell-Tale Heart”, a life is also taken away. In the short story, the narrator seeks to commit murder to free himself of the old man’s “evil vulture eye.” He describes it as, “the eye of a vulture- a pale blue eye, with a film over it” and while it is not specific whether the man was simply blind or had a fake eye, the narrator was paranoid. His paranoia drove him mad although he claimed not to be and
Nathaniel Hawthorne and Edgar Allan Poe are considered masters of American gothic fiction. They used similar gothic elements in their writing and used it to build up a sense of impending doom. Even today numerous readers enjoy, study, and discuss the gothic elements both utilized in their work. Gothic writing is a style that is concerned with the dark side of society, an evil that lies within the self. Poe and Hawthorne contributed stories which contained dark struggles between characters and society with its rules of order of the time. Gothic writing is fantasy meant to entertain despite the fact that it depicts the political and social problems
Many authors often use symbolism to express a deeper meaning. They use the symbols to connect an unrelated thought or feeling into their literary work they are writing. Edgar Allan Poe frequently uses this literary device in his works. Symbols are many times seen in his poems and in his short stories. Many symbols are evident in Poe’s works “The Raven,” “The Tell-Tale Heart,” and “The Black Cat.” Because Poe’s works are typically dark, his use of symbols is in a dark way. Although there are many types of symbols manifested in these stories, Poe’s works generally include a symbol that eludes death or the end of something and many include references of sight and vision.
Edgar Allan Poe has a dark sense of literary meaning. Within "The Tell-Tale Heart" it 's shown when Poe incorporates dark elements of literacy through the guilt of a murder. Which became forced out by the hypothetical beating of a heart.
Nathaniel Hawthorne and Edgar Allen Poe were extremely successful gothic or dark romantic authors of the 19th century. The two authors wrote a plethora of short stories that strayed from the rationalist styles of the 18th century and paved the way for other dark romantic authors. Romanticism focuses on emotions and nature while rationalism focuses on logic and reasoning. Hawthorne and Poe display the darker side of human nature throughout all of their works. Three especially good examples of this particular style are Hawthorne’s “Dr. Heidegger’s Experiment” as well as Poe’s “The Tell-Tale Heart” and “The Black Cat.”
Edgar Allen Poe was the author of several daunting works of literature. Two examples of Edgar Allen Poe's literature are "The Tell Tale Heart" and "The Raven." If we compare these two works, one a short story and the other a poem, we will see that Poe shows great mastery of symbolism, as well as other forms of literary technique. In these two stories, many people would say that Poe uses the tales to reflect the way he perceives life in general. Poe makes obvious use of symbolism, metaphors and imagery within these two works of literature.
Edgar Allan Poe’s influence on American literature was nothing short of great; not only was he the creator of the detective story and the horror thriller, but he also influenced many great writers, among those William Faulkner and Fyodor Dostoevsky. While Poe is best known for his horror thrillers, being the creator of that particular genre, he has also fashioned two other literary genres, like the detective and the science fiction genre. Throughout his life, Poe read, reviewed, and critiqued many books for various magazines and papers. Poe did not hesitate to attack what he deemed inferior. “Is purely too imbecile to merit an extended critique,” he once wrote of a novel. Because of his readiness to attack what he believed to be unworthy,
Irving, Poe, and Hawthorne were arguably some of the most popular writers of the 19th century (Dincer 223; Lauter 2505). All three of them are known for their short essays and their advocacy to make writing a full-fledged and legitimate profession. Their writings show that they were hugely influenced by the Romantic Movement (romanticism); ‘a movement in art, literature, music, philosophy, politics and culture towards focusing on the individual, the subjective, and the spontaneous’ (Dincer 218). Romanticist writing “encouraged contemplation and self-awareness, direct contact with nature, and a focus on and an exploration of inner feelings” (Dincer 223). Yet, they had distinct writing style, focus, and theme. While Irving was more of a light romantic writer, a writing style characterized by optimism, Poe and Hawthorne are widely considered dark romantic Authors whose writings were characterized by pessimism that sees the world as full of dark, evil, suffering, horror, and mystery. While Irving’s writing focused more on satire and humor, Poe & Hawthorne’s writing was more about evil, crime, sin, and mystery. Moreover, Irving seem to be nostalgic aristocrat with huge ‘interest in the landscape, folklore, and the past’ (2506), whereas Poe and Hawthorne had a contrary view of the past (Liptak).
Since the discovery of philosophy by the Greek civilizations man has always tried to find the cause of many fundamental problems that are connected to the reality and existence of factors that contribute to these dilemmas but still remain unknown to humanity. One of the most controversial questions philosophy tries to answer is the origin of what we consider evil, who or what is connected to the main cause of the pain and suffering that goes on throughout the world. “Evil is when one purposefully causes pain, not pain caused by fault, knowing something is morally wrong, but still proceeds in doing so. Simply by the definition of evil,
In Edgar Allan Poe's short story "The Tell-Tale Heart," the author combines vivid symbolism with subtle irony. Although the story runs only four pages, within those few pages many examples of symbolism and irony abound. In short, the symbolism and irony lead to an enormously improved story as compared to a story with the same plot but with these two elements missing.
Popular literature is incomplete without the names of Edgar Allan Poe and Nathaniel Hawthorne. Both of these authors lived in the same time period, yet lived very opposite lives. In fact, Poe received notoriety for criticizing Nathaniel Hawthorne. (Poe, 1847) In his career, he wrote several critiques of Hawthorne’s work. On a personal level, Poe often disagreed with how often Hawthorne used allegory. As a literary element that many people use, Poe was not a fan. He once stated that: “I allude to the strain of allegory which completely overwhelms the greater
Edgar Allan Poe was a popular American author during the Romantic Era. During this era, authors wrote with emphasis on emotion and imagination, and Poe fits this stereotype perfectly. John Chua describes his reasons for writing by saying, “Poe’s writing aims at a concentrated affection or emotional response from the reader.” In many of his poems, Poe uses characters and plots that touch both the reader’s heart and imagination. These characters were often modeled after actual people in his life, such as his mother and many lovers. His poetry became even more famous after his death because of the “evil” persona that was adopted to his name (Meyers 263). In fact, two of Poe’s most famous poems, “Annabel Lee” and “The Bells,” were published after his death in 1849 (Poetry of Edgar Allan Poe). He achieved this reaction by using many different literary devices. Edgar Allan Poe’s biographical background contributed to the theme of death, role of women, and the use of doppelgänger to produce an emotional response from the reader.
Melville, Poe, and Hawthorne all tend to focus on the darker side of humanity in their writings. In order to allow their readers to better understand their opinions, they often resort to using symbolism. Many times, those symbols take the form of darkness and light appearing throughout the story at appropriate times. A reader might wonder how light functions in the stories, and what it urges the reader to consider. If we look carefully at these appearances of light, or more likely the absence of it, we can gain some insight into what these "subversive romantics" consider to be the truth of humanity. Hawthorne uses this technique to its fullest; however, it is also very
it the most of the plot in the story. The title of the story gives the reader the symbol from the beginning, as the heart. Although he uses the heart as a symbol, Poe also uses other symbolic representations too. From the beginning of the story, the narrator tries to describe his reasoning in killing the old man. ?It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was
When discussing gothic fiction many early authors come to mind, Mary Shelley, the Bronte Sisters, Bram Stoker, and Oscar Wilde, to name a few, were all exceptional European writers of this style. As for American authors, there are two names that hold top places of honor, Edgar Allan Poe, and Nathaniel Hawthorne. Poe, with his talent for lyrical, poetic prose and conveying the macabre, is considered by many to be the master of gothic fiction. However, Hawthorne with his propensity toward humor and his ability to breathe humanness into his characters is an excellent contender for the title. They both exhibited gothic traditions in their writing, while at the same time adjusting elements of this previously European genre to fit into American surroundings, all the while delivering their own unique contributions to the gothic scene. I will explore and compare some of their works with hopes of identifying what I find to be some of their genius contributions to this dark romantic style.