Some of the most memorable stories are recorded in Homer’s epic tale, The Iliad. With action packed battles, heroes and mighty gods, these tales that are so incredibly detailed that the reader can picture the battles like they were happening right in front of them. The Iliad’s legends are so infamous that even after hundreds of years they are still being told in the 21st century. Between the fighting and the glory however, there are scenes with the hero’s wives and families pleading with their loved ones to cut these stories short. If the hero of Troy, Hector, would have listened to his wife, Andromache, there would be no dramatic ending to his life and he would have lived out his days in shame. Luckily, even she realized this end and urged Hector to fight on for his city illustrating that, Andromache’s role in the myth was more import than audiences remember.
While a main figure in the hero Hector’s life, Andromache has a small role in the overall plot of The Iliad. In lines 508-520 of Book 6, we find her begging with her husband to stay away from the war. She starts her arguments in line 508, pushing her roles and expectations of her husband, now that her father and mother are dead. Andromache cries out, “’You Hector—you are my father now, my noble mother, a brother too, and you are my husband, young and warm and strong! Pity me, please!’” (6.508-510). Her pleas provoke Hector to show some compassion for her, because she feels that if he dies in battle that her only
In the Iliad is a very interesting epic with features two main central characters that are similar in some ways but totally different in other ways. In this epic you will be introduced to Hector and Achilles. Two men from each side in the great Trojan-Greek war. They were both heroes to their people despite their clearly different contrast in their personalities. In this paper I will highlight the life of both of these two leaders of the Greek and Trojans in this epic the Iliad. Also a little will be shed of how Homer portrays the characters deeper then an average thought. I will attempt to show the complexity of his thought process in forming the climax of these two characters coming to battle.
“As is the generation of leaves, so is that of humanity. The wind scatters the leaves on the ground, but the live timber burgeons with leaves again in the season of spring returning. So one generation of men will grow while another dies” (6.146-50)
In the Epic, “The Odyssey", spoken by Homer, conveys a heroic tale of an epic hero named, Odysseus, who faces many challenges as he sails to get home. One of the tasks Odysseus faces is, "The Sirens", who challenge Odysseus 's will power. Another challenge Odysseus encounters is, “The Cyclops", who torments and slaughters some of Odysseus 's men due to his curiosity. One of the hardest threats he had to confront was, “The Land of Dead" which tested his self-restraint, and revealed his human weaknesses of sorrow. The Epic Hero, Odysseus, struggles with many challenges such as, the taunting Sirens, the brutish and cruel Cyclops, and one of the arduous territories Odysseus has ever crossed, The Land of the Dead.
In the Greek epic, The Iliad, Homer describes the siege and capture of the ancient city of Troy by Achilles and the Achaean warriors. Achilles, being a fearless fighter, defeated many throughout his battles against the Trojan army, including the brave-hearted Hector during the invasion of Troy. Though Achilles has been given the title of the hero of the Trojan War, many historians believe that Hector was a greater hero than Achilles. When comparing the characteristics of an epic hero such as being a national hero and having supernatural abilities, Hector clearly surpasses Achilles. In this essay, the argument will be supported through the context of the heroic personas revealed by the warriors and the non-heroic qualities that dishonored
The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.
Even as his wife Andromache pleads “Pity me, please! Take your stand on the rampart here before you orphan your son and make your wife a widow” (Iliad VI. 511-512) to persuade him to stay at home, he chooses kleos over his family. Hector is described by Helen far differently than she speaks of her own husband. “But come in, rest on this seat with me, dear brother, you are the one hit hardest by the fighting, Hector, you more than all – and all for me, slut that I am, and this blind mad Paris” (Iliad VI. 421-423). Helen embraces Hector for his bravery and honor, and asks even that he rest from battle. Her polar opinion between the two brothers serves as an important facet for dissecting the importance of kleos even within a family. Homer shows Helen’s shame and contempt for her husband as he does nothing to defend her or his home against her love for Hector as he fights so gloriously for Troy.
In Homer’s epic, the Iliad, the legendary, has no two characters that are so similar yet so different as Greek warrior, Achilles, and the Prince of Troy, Hector. Achilles is the strongest fighter in the Greek side, and Hector is the strongest Trojan. They are both put into the mold of a hero that their respective societies have put them into; however; it is evident that they are both extremely complex characters with different roles within their society and with their families, and with the gods.
In The Iliad, Homer offers incredible insights into the themes of human interactions. While the epic narrative moves forward, these dynamics are kept intertwined with the devastating battlefield. One of the prominent themes is the father-son relationship and this Iliadic father-son dynamic is focused mostly between Priam and Hector. Looking at scenes featuring both characters, their interactions feature mutual feelings of love, concern, and, most importantly, interdependency. Priam cares for Hector, imparts values tied to the heroic code, and carries expectations for his son. On the other hand, Hector aims to meet Priam’s expectations and repay his father for all that he has done for him. In the background of this relationship, Homer
The women in the city of Troy cannot ignore that lives without their husbands is a possibility. Helen, who some would say is the cause of the great battle, understands that she has a fault in the tragedies the men and woman will suffer: “You are the one hit the hardest by this fighting, Hector/ you more than all – and all for me, slut that I am, /and this blind mad Paris. Oh the two of us!” (VI: 287-289). Hector is valiant, a man of honor, which is the detriment to his fate, an element Andromache cannot help but worry about: “Clung to his hand, urged him, called him: ‘reckless one, / My Hector – your own fiery courage will destroy you!’” Life without a father for their son causes her most worry: “Have you no pity for him, our helpless son? Or me? /and that destiny that weighs me down, your widow, /now so soon. Yes, soon they will kill you off,” (VI: 350-352). Andromache understands that Hector is too proud of a warrior to walk away, but fears his death will cause most harm to their child, and many of her days she worries tremendously. Hector himself is conflicted:
For the ancient Greeks, culture is of the utmost importance. Greek family values are so strong that elements of tradition and culture transcend many generations. One particular tradition, literature, is a custom that has been passed down from generation to generation. Thousands of families, from their parents to their children, are told the stories of men and women who grew up and became great warriors that saved the world. These children later grew up with the goal of becoming those same heroes; they grew up wanting to save the world just like the characters in the stories. In this particular epic, we encounter the characters of Achilles and Hector, both ideal warriors; one uses his physical aptitude, the other his intellect and desire to
Homer concentrates on Hector throughout the chapter and makes comments about how brave and courageous he was. He also mentions that he is a great commander and leader of the Trojan army. In addition, Hector knew the reason behind the invasion which was Paris stealing Menelaus’ wife, Helen. This gives Agamemnon an excuse to attack Troy. Both Hector and his wife know that he is soon to meet his death, it’s inescapable. However, even though it is not his fight, he still feels compelled to go to war with his country and search for some vague glory. Hector seems to be very heroic. Moreover, Homer describes Hector as an immense warrior almost god-like. But in
Hector confirms his “heroic code” by risking his family for war. Hector knowing his heroic duty for his city leaves his wife, Andromache, begging him to stay in Troy knowing he has potential to be killed. Foreshadowing Hector’s fate, Andromache expresses, “Your courage is going to kill you, and you have no feeling left for your little boy or for me, the luckless woman who will soon to be your widow” (253). Human emotions brew up at the moment of truth facing Achilles in battle. After being begged by his father to retreat, Hector faces Achilles to fight, but suddenly hesitates in fear.
Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the
Homer’s The Iliad describes majority of the war that went on between the Greek and Trojan, which included the warriors Achilles and Hector. Throughout the poem the similarities and the differences became evident between the main characters, Achilles and Hector. Although Achilles and Hector are considered two different types of heroes, they had their similarities as much as they had their differences. Both Achilles and Hector were the greatest warriors of their armies, and both are very stubborn when it comes to their honor. The differences between the two of them is that Hector is a family man, while Achilles never married nor had children, and the two are fighting for purely two different reasons, Achilles is fighting for his blood thirst and glory, while Hector fights to defend his people and family.
Hector’s wife Andromache begs him not to “make [his] boy an orphan and [his] wife a/widow,” (Homer, Iliad 6.432-3) and he agonises at the thought of his wife being enslaved after his death (Homer, Iliad 6.454-5). Despite Hector’s family having no active part in the war, the story highlights that it will still have a significantly tragic effect on their lives. Instead of focusing on the glory of a death in battle, Homer chooses to expose the grief that will be left over in the aftermath of the War. This same attitude is echoed in Euripides’ Women of Troy, when Andromache speaks of her tragic fate following the Trojan War, and the chorus sings “you suffer as we suffer… how deep in grief we stand” (Euripides, Women of Troy 35). Here, the chorus reflects the families united in their grief at the deaths of the Trojan War, and to an extent, the families’ of all Greek soldiers who die in