Analysis Of The Article 'Double Consciousness' By Du Bell

In The Souls of Black Folk, W.E.B DuBois pioneers two concepts that describe the Black experience in America— the notions of “the veil” and “double-consciousness.” The meaning and implication of these words not only describe the plight of being Black and American then, it also refers to what it means to still be Black and American today – the remnants of the past live on. DuBois explains the veil concept in reference to three things: the literal darker skin of Blacks, which is the physical demarcation of the difference from whiteness, white people’s lack of clarity in order to see Blacks as “true” Americans, and lastly Blacks’ lack of clarity to see themselves outside of what white America prescribes for them. The idea of double consciousness refers to the two-ness, caused by our nations flawed and polarized system, felt by many Blacks. I argue that although DuBois was the first to coin these two terms, it is clear through analyzing Uncle Tom’s Cabin and 12 Years a Slave that these two significant concepts gave a name to what African-Americans had been feeling for years but previously could not define.

Furthermore, Biman Basu’s The Black Voice And The Language Of The Text: Toni Morrison’s Sula, investigates what he calls “one of the most significant developments in African American tradition…the formation of a class of intellectuals” (Article). More precisely, Basu is speaking of individuals like Morrison, who have not only broken down barriers for herself as a woman writer, but the others whom have followed in her footsteps to publish a rich tapestry of African-American literature. Furthermore, Basu’s investigates the conflict that arises when one class overtakes another stating that the conflict “on one hand, is between African-American and American Culture, and on the other, between this class of intellectuals and the ‘people’”(article).

Racial bias and discrimination have historically constricted African Americans from living free and prosperous lives. Especially, in America’s Progressive Era when “How It Feels to Be Colored Me” happened to be published. This groundbreaking essay, written by Zora Neale Hurston, provided African Americans with a unique approach to defying racial discrimination. Namely, Hurston’s unique defense from societal discrimination is in her steadfast optimism towards the limitations of being African American. Therefore, Hurston’s essay achieved more than bringing hope to African Americans it also provided a solution in this period of bitter adversity. This is what distinguishes Nora’s essay from other literary works because it focuses on modeling a beneficial mindset rather than listing the hardships that black people are subjected to. Zora Neale Hurston is an influential role model for African Americans, she argues that racial discrimination and unjust biases can be overcome by having pride and optimism in the progression of one’s race.

“...Jim Crow”, states Michelle Alexander, “appears to die but is then reborn in new form, tailored to the needs and constraints of the time” (page 16). Indeed, as Alexander argues throughout her book, the new Jim Crow of our modern time is ever-present and thriving in the country that is claimed to cater “for all”. This time, mass incarceration is the answer to the country’s troubles. Alexander’s thesis explains that racism is still alive in America through the new Jim Crow despite the progression of the black and brown man. The book focuses on how black men are still subject to the same racism that plagued their ancestors years ago. They are being trapped in a cycle formed by the criminal system which

     Community is an important concern in both black and women's literature. The racist and patriarchal nature of American society, what Morrison refers to as the master narrative of our culture, places blacks and women and especially black women in a position of powerlessness and vulnerability. Communities serve as a protective buffer within which black women must function in order to survive. However both Hurston and Morrison identify and criticize how the patriarchal nature of the master narrative is present in black communities. The male-female hierarchy in the black community mirrors not only the patriarchy of the dominant white culture, but also the white-black

Percival Everett’s novel, Erasure, was published in 2001, in a 21st century that is far removed—if only temporally—from the abolitionist movement, Reconstruction, and Jim Crow laws. The representations of African-Americans that were ubiquitous during those times, such as Sambos, Zip Coons, and Mammies, are now tangible only as collector’s antiques. While these specific representations of African-Americans may no longer be prevalent in American society, the form of racism that they embodied remains. Although the representations may have changed, American society’s insistence on maintaining such a narrow representation of black life has not. Everett has written Erasure to expose and combat this racism with his

According to Frederick Douglass, “it was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it (p.4).” Frederick Douglass and Toni Morrison literatures examine the stigma of slavery, and the perceptions of its dangers. They illustrate what life was like and the mental as well social impact it had on enslaved African-Americans and their life after gaining freedom. Richard Wright convinces his audience in Black Boy that he was tired of the limitations and outcries in the South “I was not leaving the South to forget the South, but so that some day I might understand it, might come to know what its rigors had done to me, its children (284).” Alice Walker obtains her readers attention by transforming young women into their own characters with a voice using spiritual guidance. In Native Son, Bigger has achieved is lost after being apprehended and brought into captivity, as he transitions back into silence and passivity and begins to recover only in his final confrontation, whereas Douglass in the same prevailing convention, only heals after the regaining of his freedom. Through these literatures, and many others, African-Americans find multiple ways to alleviate and recover from the intensity of undesired bondage and bigotry.

Baker, Anderson, and Dorn (1992) talk “A Critical Thinking Approach” giving the readers six guidelines to follow when critically assessing any literary work, all of which can apply to Michelle Alexander’s The New Jim Crow. The first guideline is about how accessible is her work. Throughout the book, Alexander made her work as clear and concise as she possibly could by explaining certain points over again in a different chapter to make sure that the audience understands what she is trying to say. Any explanation given, whether it is her own thoughts or other evidence/data is thoroughly talked about and written in such a way that the readers can easily digest its meanings. The next guideline is Authenticity. Alexander

Angela Davis offers a new perspective of activism during the Black Liberation Movement through her autobiography. Using personal stories, she sheds light on the obstacles that she had to face whilst growing up in a predominantly white community while simultaneously trying to balance school, being active in creating a change, constant hiding, jail time, and wondering when the view against colored people would change. Davis’s autobiography is a narrative of strength, perseverance, determination, and love for one’s culture and people.

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

Sometimes people hold on to our past which could cause us to lose understanding of others and in the world. For an example, the poem “To a dark Girl” by Gwendolyn Bennett is about how young black girls carry pain on the shoulders and they should let it go. This essay is about how the author’s use of tone , word choice , and imagery helps the following theme emerge in “To a Dark Girl”: that black girls should never hold on to their past.

Du Bois asserts that “the color line” divides people in the States, causes massive harm to its inhabitants, and ruins its own pretensions to democracy. He shows, in particular, how a veil has come to be put over African-Americans, so that others do not see them as they are; African-Americans are obscured in America; they cannot be seen clearly, but only through the lens of race prejudice. African-Americans feel this alien perception upon them but at the same time feel themselves as themselves, as their own with their own legitimate feelings and traditions. This dual self-perception is known as “double consciousness.” Du Bois’ aim in Souls is to explain this concept in more specific detail and to show how it adversely affects African-Americans. In the background of Souls is always also the moral import of its message, to the effect that the insertion of a veil on human beings is wrong and must be condemned on the grounds that it divides what otherwise would be a unique and coherent identity. Souls thus aims to make the reader understand, in effect, that African-Americans have a distinct cultural identity, one that must be acknowledged, respected, and enabled to flourish.

Racism. Protests. Profiling. These three words are common buzzwords that are used in the United States media almost daily. They are used so often, some contend, that it has created a sense of apathy in the American public in regards to solving the age-old problem that has its roots grounded in slavery. Burns states, “[Toni] Morrison contends that the American history of slavery had been consciously “disremembered” so that it is conveniently shrouded by a comfortable state of national amnesia”. Likewise, in her novel the characters Sethe and Paul D in the novel Beloved by Toni Morrison also exist in a state of amnesia—but of their own slavery. In this essay, I will argue that in the novel Beloved, Toni Morrison use characters Sethe and Paul D and their willed forgetfulness of slavery and past actions to reveal the modern reader’s absent-mindedness of slavery and discussions of race.

Toni Morrison’s novel Sula explores black female life and relations conceived both within and outside sexist and racist influences and mediation. Morrison explores individual characters defined by racial and gender stereotypes while also presenting a focused rumination on a radical black female experience devoid of these oppressive classifications. Through the character Sula, Morrison creates a black female identity based on subjectivity, uninfluenced by the community’s societal gender expectations and lifestyle. Even though Sula possessed self-agency and autonomy, never adhering to her community’s standards, her self-assertion remains solely outside the racist and sexist environment and black community; she ultimately holds power over herself but she is unable to assert that power in “Bottom” as she is suppressed and ostracized, contained by avoidance and being characterized as “devil” and “witch” until she dies contently, knowing she lived freely, yet alone (hooks 150). Morrison’s presentation of Sula’s ostracization as a direct consequence of her ability to constitute

Since childhood, we all have been taught that “racism is bad” and should be avoided at all costs. We have been told that “everyone is a child of God and we are all created equal.” In fact, Americans are praised for the so-called equality they possess. However, renowned author Toni Morrison sheds light on the sheltered and unspoken truth that everyone—to some extent—is racist. “Home” is a reflective essay in which Morrison explains that her triumphs against racist ideologies are evident throughout her various novels (“Home” 3). In Morrison’s first novel, The Bluest Eye, instead of establishing a home where race does not matter—a home which she dreams of in her essay—she creates just the opposite (3). In this novel, by using direct