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The Arrival Of The Future

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The Arrival of the Future
Is the beginning the end? This is how Denis Villeneuve, director of Arrival, decided to begin the Oscar nominated film. With nonlinear timeline at the focus of the film, this controversial style illustrates violence between characters, specifically Louise, shows the tool given to humanity by the Heptapods, and the relationship of the characters.
Erik Bork, an Emmy and Golden Globe winning author for HBO, states that “Jumping around in time with flashbacks can be confusing in a script, and can make it hard for a reader to get oriented and settle into one particular story, in a specific time frame” (Bork, par. 1). He continues to explain, “It’s usually better to just have one, at most, and have the rest of the movie take place in what seems like continuous present time” (Bork, par. 9). Many critics would agree with Bork, siding with his belief in the confusing nature of flashbacks.
However, Arrival’s use of a nonlinear timeline is vital to the story of the film. the Heptapods give Louise the ability to see time in a nonlinear fashion. There is no other way the writers of Arrival could have conveyed her newfound ability. Her ability to perceive future events is evident while Louise is talking to the Prime Minister of China, a militant character, by saying to him in the present what she sees herself being reminded of in her flashforward at a peace gathering. This climatic moment is relieved by Louise’s ability. This scene is difficult to show in word,

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