Analysis Of Tom Dent's Ritual Murder

In the midst of completing the book, I read an article on BBC News entailing details of new statistics stating that black men are three times as likely to have been subjected to unfair brutality and murder than Caucasians. This in particularly is appalling given that only 14% of the US population consist of African-American males. An example of this discrimination is highlighted by the controversy surrounding the raising of the Confederate flag in several southern states.

Culture in urban communities, also referred to as inner-cities, are growing increasingly violent. In the article, The Code of the Streets by Elijah Anderson, he begins to take an in-depth look at the root of the evil. He deduces that economic factors, parenting and the troublesome environments largely influence the violent norms within this culture.

One of these being William Chambliss’s handling of the “Saints and the Roughnecks” where the ‘Saints’ are a collection of 8 white upper- middle- class boys on the pre-collage trail in high school, who participate in astonishing large amounts of truancy, a countless acts of drinking and driving, minor stealing and vandalism, and a lot of cheating in school all while maintaining the perfect image. On the other hand, the ‘Roughnecks’ were a group of six lower-class boys who engage in studious amounts of fighting (typically between themselves or alongside other lower-class boys) and shoplifting, who are frequently detained, and whose appearance in the public is horrendous. In Chambliss 's view, the Saint’s behavior partook at least as much prospect of impending community harm as the behavior of the Roughnecks. (Chambliss, 1973)

Have you faced racial persecution due to the color of your skin? The time was 1900’s and this was the nightmare that Ida B. Wells-Barnett wrote of in Mob Rule in New Orleans. This is the true account of Robert Charles as he fights for his life to escape the hands of a lynching mob. This impassion story collaborates with the witness of this terrifying event that Wells describes. Wells uses her literary skills to shed light on racial discrimination, media bias, and her personal crusade for justice to portray this heart wrenching reality of the violent lynching during the 19th century.

Many tragic events happen in this short story that allows the reader to create an assumption for an underlying theme of racism. John Baldwin has a way of telling the story of Sonny’s drug problem as a tragic reality of the African American experience. The reader has to depict textual evidence to prove how the lifestyle and Harlem has affected almost everything. The narrator describes Harlem as “... some place I didn’t want to go. I certainly didn’t want to know how it felt. It filled everything, the people, the houses, the music, the dark, quicksilver barmaid, with menace; and this menace was their reality” (Baldwin 60). Another key part in this story is when the narrator and Sonny’s mother is telling the story of a deceased uncle. The mother explains how dad’s brother was drunk crossing the road and got hit by a car full of drunk white men. Baldwin specifically puts emphasis on the word “white” to describe the men for a comparison to the culture of dad and his brother.

Racial prejudice often creates a division between the racists and their victims, and thus results in isolation and alienation of the victimized racial group. During the Harlem Renaissance, discrimination and oppression against African Americans was still prevalent, despite the 1920s being a time of expression of African culture. This juxtaposing concept is analyzed through Claude McKay’s poem “The White City”, which explores the perception of an African American speaker, presumably McKay himself, who longs to be a part of the White City, while retaining a deep, inner hatred of the city. Although McKay initially demonstrates his endearment and attachment toward the city through visual imagery, he directly juxtaposes it by expressing his hatred with tenacious, despicable diction. This juxtaposition not only serves to represent the struggle of being an African American in a white supremacist city but also displays McKay’s paradox of appreciating the “White City” while feeling detached from it.

Paragraph 98, as with the majority of the text, utilizes symbolism to communicate the pervasive, institutionalized nature of anti-blackness. The narrator, still recovering from attempting to deliver a speech in the style of Booker T Washington to an audience of white men while simultaneously “swallowing blood” after being forced to fight blindly against members of his own Black community, finds himself gifted a “gleaming calfskin brief case” from the local superintendent. The brief case, connotatively signifying notions of power, wealth, and corporate success, is a symbolic transition of power to the narrator by someone fully established in the position of the oppressor. However, the text characterizes this transition of power as fraudulent or superficial. First, the superintendent addresses the narrator as a “[b]oy” in a linguistic assertion of dominance and power. Continually, the superintendent implies that the brief case will only be “filled with important papers” if the narrator “[k]eeps developing as [he is].” In characterizing the narrator’s endurance and acceptance of overt anti-black violence, as well as his advocacy of the dismissive and conservative philosophies of Booker T Washington, as “developing,” the superintendent’s language symbolizes a broader desire for those in positions of power and privilege to encourage marginalized individuals to submit to systems of violence and oppression. To contextualize, the text employs the symbol of the brief case to argue that when oppressed individuals receive ‘help’ from the system, the system’s position of benefit from oppressing those individuals will ensure that that ‘help’ is never genuine nor effective.

that a “negro child or boy got killed by whistling at a white girl.” All this has an impact on how

Wexler’s attention to these details ensures that the lynching victims are more than flat “symbols,” constructed by a foreign and long past semiotic system, to the reader. She writes, for instance, of George Murray, or Dorsey, who had “returned [to Monroe] from the army” (167), after “four and one-half years” of service, in September 1945, that he was a man who had “love for music,” “skill as a farmer,” and a memorable smile (99). In this respect, Wexler accomplishes the same empathy for an innocent victim as the NAACP, in 1946, might have done, and in similar style—as she contends, in parallel fashion to the deceased victims’

‘Fire in a canebrake’ is quite a scorcher by Laura Wexler and which focuses on the last mass lynching which occurred in the American Deep South, the one in the heartland of rural Georgia, precisely Walton County, Georgia on 25th July, 1946, less than a year after the Second World War. Wexler narrates the story of the four black sharecroppers who met their end ‘at the hand of person’s unknown’ when an undisclosed number of white men simply shot the blacks to death. The author concentrates on the way the evidence was collected in those eerie post war times and how the FBI was actually involved in the case, but how nothing came of their extensive investigations.

Lately in the media police brutality has been a very popular topic. Most of the instances reported in the media are of white police officers killing African Americans for seemingly nothing. These reports have strengthened the divide between both races. In “White Rage” by Carol Anderson the issue of police brutality is touched on within the first few words of her essay. Anderson talks about many acts of aggression at the hands of white men, and she seems to really focus on an unarmed African American male who was shot by a white police officer in Ferguson, Missouri. “Black and Blue,” by Garnette Cadogan continues with the struggles of police brutality in America, but also touches on the abuse in his home country of Jamaica. Cadogan

She wonders “What would happen to my sense of who I am?”(261) Joe and Bazil learn it happened at the most sacred place: “The Round House,” at the edge of tribal trust land. However, since the perpetrator was a white man, only federal authorities could prosecute. Yet they lacked concrete evidence.

James Baldwin’s short story gruesomely paints the picture of how racism and sexuality are linked. The story takes place during the civil rights movement in the United States (Gorman 119). During this time, African Americans were still being oppressed, and white people were angry that they were making progress in society. This often lead to brutal attacks and sometimes death. In the story, the narrator, Jesse, is having difficulty having sex with his wife and compares her to the black women that he has sex with. As the story progresses, the problem emerges with the killing of a black man who is dismembered by a white man right before young Jesse’s eyes. Instead of seeing this as a horrible experience, Jesse takes on the attitude of those around him. Through characterization, point of view, and symbolism, James Baldwin’s story, “Going to Meet the Man,” demonstrates the connection between sexuality, particularly masculinity, and racism.

Dry September is a story where citizens of a Jefferson, Mississippi have heard a rumor that Will Mayes, a black man has raped a white woman named Minnie Cooper. The story explores the reactions of the town’s citizens as this rumor is spread. Individuals begin to make individual conclusions and assumptions drawing hasty ideas based on insufficient or miniscule evidence, even going as far as to make up some of the evidence to draw a conclusion. There is a relationship between racism and violence in the world of the text.

Lynchings most frequently targeted African-American men and women in the South, with lynchings also occurring in Midwestern and border states, especially during the 20th-century. The political message was the promotion of white supremacy and black powerlessness, and served as an important element of the ritual. The study reveals the blatant racist ideology of the South, that lead to Jim Crow Laws and the disenfranchisement of African Americans. Lynchings were photographed and published as postcards, which were popular souvenirs in some parts of the U.S. Victims were