Dracula, By Bram Stoker

Throughout the novel Dracula, the text prominently features the ‘uncanny.’ In literature and other texts, the uncanny refers to an unfamiliarity that is frightening familiar. It’s presence in Dracula is obvious as we and the novel characters see Dracula as uncanny. Both appropriations of Dracula, Nosferatu (1922) and Bram Stoker’s Dracula (1992), reflect their context and hence reflect the values, idea and themes prominent in their context. Nosferatu resembles its isolated German Expressionist Cinema context through its jewish propaganda portrayed by many techniques, most notably its heavy use of dramatic lighting. Bram Stoker’s Dracula’s contrasting themes include its romanticisation of Dracula which expresses the romantic notions prominent

Dracula is one of the earliest and successful vampire novels in history, which is why Dracula is considered to be the traditional vampire. Beginning with the fact that Dracula must sleep during the day, otherwise he will weaken in sunlight. The first clue was Jonathan Harker’s thought, “I have not yet seen the Count in the daylight” (Bram Stoker, 49). His thought is later proved to be true when Harker sneaks into Dracula’s room and is said, “There in one of the great boxes, of which there were fifty in all, on a pile of newly dug earth, lay the Count” (50). The next being the obvious and most important is his consumption of blood. Another element is he is petrified of

Gothic literature is dominated by gothic horror, for instance dark and mysterious objects or events. It is a type of literature that combines fiction, horror, and romanticism. As Bram Stoker wrote his famous novel, Dracula he makes sure to include many different characteristics of gothic literature. Three important motifs that are stated in Dracula which also fit into the gothic literature category would be; blood, dreaming or nightmares, and superstition. This particular novel has many gothic motifs, but these are three that I believe really stand out.

Desire and fear some of the most prominent emotions exhibited in Dracula. Bram Stoker, Nosferatu, F.W. Murnau, Dracula, Tod Browning, and Bram Stoker’s Dracula, Francis Ford Coppola. “Human characters are caught up in the struggle between these emotions when it comes to vampires; this opposition drives forward the different plots… vampire attributes such as physical attraction, sexuality, power and thoughtless violence are common threads throughout the studied works. Characters in these stories fear the powerful abilities of vampires, yet show an unmistakable pull towards them. The vampires in all of these works incorporate physical attraction, sensuality, and awesome power. They often use this superhuman strength

When his name is uttered, people who know it quake with fear of his evil. He has the strength of twenty men and likes to use it on unsuspecting victims. He makes diabolical plans and wants to slowly devour the population of London. He kidnaped people, kills and turns some into vampires. In the novel, he fed a baby to three hungry women as the mother of the child was looking for it. Because of this, Count Dracula has become one of the most influential examples of evil in literature. From the show Vampire Diaries, you can compare Damon to Dracula because of how sadistic he is and how he manipulates people into doing what he tells you to do. He compels people to follow him like a slave. But the closest comparison to Dracula would be from The Originals Niklaus who always wants to be king and the ruler. Like Dracula, Klaus is the strongest of his kind and the first. He does everything in his power to control things and like to make people suffer for his own sake. But Klaus is also loyal to his family. He and Dracula both manipulate others by getting into their head and even turning them into vampires so they can rule. The only difference is that Klaus cannot be killed or doesn’t get killed because he is that strong unlike how Dracula was killed at the end. Dracula is devoid of empathy for the people that suffer at his hand in the novel. For example, when he is holding Jonathan Harker prisoner, he doesn’t take a

The story of Dracula is well documented and has stood the test of time since it’s Victorian age creation. More times than not, literature writings are a reflection of the era from which they are produced. In the case of Dracula, Vampire literature expresses the fears of a society. Which leads me to the topic I chose to review: sexuality. The Victorian Era was viewed as a period diluted in intense sexual repression and I believe that Dracula effectively exploited this as the fear of sexuality was commonplace in the society. In this paper I will examine Bram Stoker’s Dracula and highlight his use of sexuality. I will analysis the female sexuality that is prevalent throughout the book, the complexities are at work within the text, and the

"Doing Justice to the complex character of Dracula was one our main goals. He's been portrayed as a monster or as a seducer, but knowing his biography made me think of him as a fallen angel, as Satan...

Dracula is a proud of his lineage. His blood is noble among gypies (criminals) but when placed in comparison to the elite of England, he is considered primitive, “…Dracula's criminality dominates over his noble blood: 'science' assimilates him to a lower type, associating him with animals and 'inferior' human groups” (McWhir 34).

By presenting Count Dracula as an evil, demonic being, the story is therefore laid out as a fight between good and evil. Contrastively, the vampires in I Am Legend are not physically described in as much detail, but rather the details and attention are focused on their behaviour and their origin. The horror aspects of these vampires are pushed to the side and the readers are made to focus solely on their threatening presence as they prowl around at night and hunt for Neville while he, in turn, tries to discover what the specific virus that infected the world and caused the vampire epidemic. These differences are key in setting up how the readers respond to the novels’ plot and themes.

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different

Evil never conquers because good always overcomes it. A good example of this is the book Dracula by Bram Stoker because the author expresses the nature of good vs. evil. Dracula wants to come to London because he wants to turn everyone into vampires. The basic background of the book Dracula is when Jonathan Harker, a realtor who is sent to Transylvania to complete a transaction with Dracula so he can come to England. What Harker does not know is that Dracula has a plan for world domination. Well, while Harker is on a train to Transylvania he enters “the east, a section of Europe whose peoples and customs will be for the most part, strange and unfamiliar” (Dracula, 20). Harker arrives at Bistritz on the eve of St. George’s Day,

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.

The characters in Dracula are very Gothic. Dracula is the most important antagonist in the novel. Dracula is a very if not the most interesting Gothic character ever created. He like all vampires casts no shadow and possesses no reflection. Dracula cannot die by the mere passing of time for he is

Dracula being the main character in the novel, everything revolves around him. He has a lot of power and recruited followers. Since he is a vampire, he never dies, and he lives sucking the blood of the living. Jonathan Hankers sets