Effective Use Of Film Techniques In Alfred Hitchcock's Vertigo

One of the most famous scenes in film is the beginning where Charles Foster Kane dies after saying rosebud. What makes this scene so great was the camera angle. The snow globe that Kane drops after his death created an angle never before seen. This angle allowed for the intensity of the scene to increase as it emphasizes the nurse running in the room and the broken globe to show Kane’s world as comes crashing down on him. Another interesting camera angle is when Kane is being taken away from his mother where both her and Kane are visible and in full focus. Along with this angle it also has a smooth transition from the angle of the mother and sliding through the window to allow for the new scene. These

Citizen Kane is filled with symbolic imagery. In most of the movie you can pick out scenery, character actions, lighting, camera movement, and the composition within the frame of key shots that help tell the story without the character orally telling the full story. However, because of its new and experimental use of mise-en-scene, the movie did not do well in the box office. In time Orson Welles movie would become one of the best movies of all time and would even come to change filmmaking in

The 1940s film industry favored films that were based on reality, such as Citizen Kane. Orson Welles is the director of the 1941 film, Citizen Kane, which uses the cinematic techniques of long takes and deep focus shots. Long takes and deep focus shots are associated with space and time. I will be writing about scene D where Susan, the second Ms. Kane, is in the middle of a singing lesson. Scene D contains examples of long takes, deep focus takes, and camera movements.

The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane has achieved the status of greatest film ever made.

Orson Welles’s Citizen Kane is a revolutionary film. Although it might not look like much to the modern viewer, many aspects of the film were the first of their kind to appear and are still used today.

A thriller is a type of film that usually instills excitement and suspense into the audience. A thriller is commonly described as a tense edge of the seat environment. The movie, Vertigo, is one of the most famous thrillers ever made. However, Vertigo does not fit into the stereotypical genre of thriller. Vertigo, often viewed as an experimental film because it was one of the first major thrillers of that time that used many different and innovative camera techniques. These techniques used in this film are different types of lighting, montage, intense music, etc. Vertigo is known to be one of Hitchcock’s best movies because of his unique sense of style and his famous

Citizen Kane Citizen Kane is often called the greatest film ever made. Its use of film techniques often taken for granted nowadays were completely new and had not been done before. Simple things like ceilings on the sets and realistic scenes such as the newsreel, which would not stand out in a modern film, were combined to make a film full of innovative techniques. The director, Orson Welles, developed the use of deep focus to make the flat cinema screen almost become three dimensional, which added a realism that had not been explored before.

Editor Robert Wise was said to have “blended 127 different clips of film into the newsreel, some of which were actual news footage while the others were staged shots of the actors.” Later Welles was said to have “aged” these by dragging the negatives across a concrete floor.

What emerges most clearly is that Jeff’s emotional response towards the formation of an intimate relationship is also an indicator of Jeff’s skill for emotional detachment. His constant visual omnipotence of prying on others is reflected through his passion of photography, where he prefers to be an observer of life, hypocritically pointing out the mistakes of others by telling them to “be careful” than to deal with the emotional requirements of being an active participant. Hitchcock substantiates the idea of the “male gaze” and the proposal of mixing violence with male desires. This is seen throughout the film, where the camera continually employs close up and mid-shots of the characters with the intention of presenting women as chopped up pieces of limbs, highlighting the insignificance of women under an objectifying male gaze. In one scene when Lisa is in an argument with Jeff about her unwelcomed encumbrance, Lisa is laying on the bed, and only the top half of her head is captured within the frame.

The two films Citizen Kane by Orson Welles (1941) and Sullivan’s Travels by Preston Sturgis (1941) were both created in the same year, and are both considered “Classical Narrative Hollywood”. However, though both of these films follow the basic mold of classic Hollywood, they break the mold as well. Both movies incorporate new and innovative technology, shots and concepts that are new to this time, and essentially introduce them, changing the fil m industry forever.

When discussing the greatest films of all time, Citizen Kane, directed by Orson Welles, usually comes up. It’s influence in American cinema can still be felt today, but at the time the film was not released without controversy. The main character in the movie, Charles Foster Kane, is undeniably based of the real life figure of William Randolph Hearst, a famous American newspaper publisher. Hearst was very aware of this fact and tried to hinder the success of Welles’ picture by denying it any sort of press in his newspapers. Despite the smear campaign Kane’s influence lives on through Welles’ revolutionary filmic techniques and its presence in pop culture.

The absolutely stunning film, Citizen Kane (1941), is one of the world’s most famous and highly renowned films. The film contains many remarkable scenes and cinematic techniques as well as innovations. Within this well-known film, Orson Welles (director) portrays many stylistic features and fundamentals of cinematography. The scene of Charles Foster Kane and his wife, Susan, at Xanadu shows the dominance that Kane bears over people in general as well as Susan specifically. Throughout the film, Orson Welles continues to convey the message of Susan’s inferiority to Mr. Kane. Also, Welles furthers the image of how demanding Kane is of Susan and many others. Mr. Welles conveys the message that Kane has suffered a hard life, and will

Deep focus works best in scenes were Kane’s loss of control vnd his personal isolation are showcased, because it gives the audience a clear view of the space Kane commands as well as rthe space over which he has no power. The film used a technique referrwed to as the wipe, which is where one scene is wiped off the screen by another. It uses a subjective camera, unconventional lighting, which includes chiaroscuro backlighting and high-contrast lighting, it made use of shvdows and strange cvmera angles that emulated the style of german expressionists. In camera matte shots, low angled shots revevling ceilings in sets.

Citizen Kane brought the aspects of a newspaper tycoon in the 1940’s to life in a form of a dramatic narrative. This film is based on a true story of a newspaper magnate, William Randolph Hearst and based off of some aspects of Orson Welles(Writer and Director). This filmed has been named, “The best American film of all time” due to the fact that, during the time of its making, it was the first film to take on many new techniques of cinematography. Citizen Kane is a revolutionary film not only in the drama genre, but in filmmaking of all forms.

When Citizen Kane was first released in 1941 it was cinematically groundbreaking because first time director Orson Welles had taken various types of filmmaking, much of which had been used in Expressionistic German films in the 1920’s and incorporated them all into one film. Despite the fact that Welles did not create the techniques used in the film he revolutionized the way films were shot. When Welles was asked where he had gotten the confidence as a first time director to create a movie that was so different from its counterparts, Welles said, “ Ignorance, ignorance, sheer ignorance-you know they is no confidence to equal it, it is only when you know something about a profession, I think, that you are timid or careful” (Welles). This “ignorance” was important to the film as it resulted in the use of cinematography that had not been popularized yet, some examples of this are: