Faulkner's Condemnation of the South in Absalom, Absalom
William Faulkner came from an old, proud, and distinguished
Mississippi family, which included a governor, a colonel in the Confederate
army, and notable business pioneers. Through his experiences from growing up in the old South, Faulkner
has been able to express the values of the South through his characters.
William Faulkner's Absalom, Absalom offers a strong condemnation of the
mores and morals of the South.
Faulkner's strong condemnation of the values of the South emanates
from the actual story of the Sutpen family whose history must be seen as
connected to the history of the South (Bloom 74). Quentin tells this
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To fulfill his quest, Sutpen
spends his entire life trying to repeat the past only to correct it (Bloom
38). He has a grand design to be the son who seized the power of his
father and then be the father to keep that same power from being seized by
his own son (Searle 23).
The first step of Sutpen's design includes marrying Eulalia Bon and
having a pure white son named Charles Bon. When Thomas Sutpen realizes
that Charles is partially Negro because of Eulalia's heritage, he rejects
them both and is forced to start his design over. This is Faulkner's way
of condemning racism in the South. Thomas Sutpen later marries Ellen
Coldfield and has a second son named Henry and a daughter named Judith.
Thomas Sutpen's design is nearly complete when Charles shows up from his
first marriage and falls in love with Judith, nearly uniting the two
families. This incestuous relationship causes Henry Sutpen to kill Charles
Bon to save his family from miscegenation. Using incest in this novel is
another way that Faulkner condemns the mores and morals of the South.
Thomas Sutpen tries two more times to fulfill his design by trying
to have a pure white son and refusing to let that son seize the power that
he had successfully seized from his father.
William Faulkner is one of America's most talked about writers and his work should be included in any literary canon for several reasons. After reading a few of his short stories, it becomes clear that Faulkner's works have uniqueness to them. One of the qualities that make William Faulkner's writings different is his close connection with the South. Gwendolyn Charbnier states, 'Besides the sociological factors that influence Faulkner's work, biographical factors are of great importance…'; (20). Faulkner's magnificent imagination led him to create a fictional Mississippi county named Yoknapatawpha, which includes every detail from square mileage of the county to the break down of
According to historian Eugene Genovese, what motivated southern slave-owners to embrace “a strange form of paternalism” toward their slaves? *** Do you agree with the authors that this paternalistic attitude had the effect of subverting the “racist underpinnings” of the slave society?
In 1833, a wild, imposing man named Thomas Sutpen comes to Jefferson, Mississippi, with a group of slaves and a French architect in tow. He buys a hundred square miles of land from an Indian tribe, raises a manor house, plants cotton, and marries the daughter of a local merchant, and within a few years is entrenched among the local aristocracy. Sutpen has a son and a daughter, Henry and Judith, who grow up in a life of uncultivated ease in the northern Mississippi countryside. Henry goes to college at the University of Mississippi in 1859, and meets a sophisticated fellow student named Charles Bon, whom he befriends and brings home for Christmas. Charles meets Judith, and over time, an engagement between them is assumed. But Sutpen realizes
white men were enemies and that he had to stick to his own blood. He was used to his
actions to show that no one will own or control him. He has no regard
The birth of the modernist movement in American literature was the result of the post-World War I social breakdown. Writers adopted a disjointed fragmented style of writing that rebelled against traditional literature. One such writer is William Faulkner, whose individual style is characterized by his use of “stream of consciousness” and writing from multiple points of view.
Faulkner’s works consisted of many dark touchy topics such as war, racism, mental illness and suicide in all of books, short stories, William Faulkner wrote about almost every part of life, from something that could be absurd at his time, to something real like racism in the American South. Throughout his life, Faulkner was kind of a rebel, notorious for his confidence, drinking, and he would often make up stories about himself. Faulkner wrote from experience and as a person who lived in the south during times of racism, he wrote about a lot of things in the south. To be exact his specific genre or style in which he wrote in is what some call “southern gothic”. Southern gothic is a unique style of writing and only expressed by very few authors. These stories usually take place only in the south and have darkness to them. His stories would use irony to examine the values of the American south. Instead of solely trying to add suspense with the style it is also used to explore social issues and cultural character of the south. Which leads me to one of Faulkner’s first important novels “Sartoris”. In Sartoris Faulkner focuses on a family during the world war era in the south. In the book the Sartoris family is one of the more important families in Yoknapatawpha County where the book is set. The Old Colonel, John Sartoris, represents an old and dying out order dating back to the mid 1900’s. His world revolves around his plantation home, his slaves and his
In William Faulkner’s The Sound and the Fury, the image of honeysuckle is used repeatedly to reflect Quentin’s preoccupation with Caddy’s sexuality. Throughout the Quentin section of Faulkner’s work, the image of honeysuckle arises in conjunction with the loss of Caddy’s virginity and Quentin’s anxiety over this loss. The particular construction of this image is unique and important to the work in that Quentin himself understands that the honeysuckle is a symbol for Caddy’s sexuality. The stream of consciousness technique, with its attempt at rendering the complex flow of human consciousness, is used by Faulkner to realistically show how symbols are imposed upon the mind when experiences
William Faulkner, the eldest son to parents Murry and Maud Butler Falkner, was born in New Albany, Mississippi in 1897. Although Faulkner was not a keen student in high school, which eventually lead to his dropping out before graduation, he was very enthusiastic about undirected learning. After years of studying independently, Faulkner allowed a friend of his family, Phil Stone, to assist him with his academic vocation. This relationship inspired Faulkner and after a short period spent with the Royal Air Force in 1918 he decided to go to university where he began writing and publishing poetry. In 1924 Stone’s financial assistance helped Faulkner publish a
William Faulkner was said to be one of the best Southern Gothic writers and the Southern Gothicism was brought about by Edgar Allen Poe in 1839. His novels and short stories such as Absalom! Absalom! (1936), The Sound and the Fury (1929), and “A Rose for Emily” (1930) were of the Southern Gothic genre. This paper will discuss what Southern Gothic is and its characteristics, along with William Faulkner and how Faulkner’s work conforms to the Southern Gothic genre.
One of the main realities of human existence is the constant, unceasing passage of time. The Sound and the Fury by William Faulkner explores this reality of time in many new and unexpected ways as he tells the tragic tail of the Compson family. The Compsons are an old Southern aristocratic family to whom time has not been kind. Years of degeneration mainly stemming from slavery have brought them to the brink of destruction. Most of the story focuses on the Compson children who are undergoing the worst of the social and moral decay. Each of the four children perceives time in a much different way but by far the strangest and most bizarre attitude toward time that is given in the text is held by
The story of "Barn Burning" was "first published in the June of 1939 in the Harper's Magazine and later awarded the O. Henry Memorial Award for the best short story of the year." The author, William Faulkner, "was one of America's most innovative novelists". The way he describes the smells, sites and sounds of the rural late 1800's make you feel as if you are there with the characters in this story. Through the use of symbolism, Faulkner tells the story about a relationship of a father and son. Fire was the most vital symbol used and describes the way, Abner, the main character in the story faces all of his challenges. He lived his life like a flaming inferno destroying
Cannarito details the pessimistic narrative strategy influenced by historical determinism and Faulkner’s use of miscegenation in Absalom, Absalom! Her Darwinist analysis implies that Supten’s projected design for his generation dynasty is a form of eugenics. Agnate to the fate of the Antebellum South, Supten’s hundred becomes doomed as a result of miscegenation. Darwinism suggest that miscegenation is synonymous to the degenerate act of incest. Furthermore, Cannarito explains that race’s role in the narrative clarifies white supremacy’s role in Darwinism and the South. Miscegenation, as mentioned by the narrators of Absalom, Absalom!, predetermines the fate of Supten’s
Throughout the piece, Faulkner works to show the conflict that exists between the future and the past and the tension that is felt by those involved. Rather than evidently telling us, Faulkner presents this idea more broadly by including several important symbols for us to recognize and understand as the story develops.
His novel explores the healing process as well as the digression and push back of those in the South unable to compromise with the loss and renewal of life they had to make. The complex and alternating speakers and stories are laced together disruptive families that carry ties back to one another. The problems of intermarriages between blacks and whites, incest, the individuality being stripped from what people had known reaches peoples limits. Faulkner plays with these important moments, memories, ages and thoughts that prove his beliefs of this broken image of America.