1. By examining the relationship between Edna and the men in her life, it can be determined that she can take care of herself, thereby suggesting that women don’t need to depend on men in order to be fulfilled. 2. Edna believes that her place in society is not alongside her husband, but with whomever she chooses. a. Edna explains to Robert how she feels about being with him and still being married. b. “‘You have been a very, very foolish boy, wasting your time dreaming of impossible things when you speak of Mr. Pontellier setting me free! I am no longer one of Mr. Pontellier’s possessions to dispose of or not. I give myself where I choose. If he were to say, “Here, Robert, take her and be happy, she is yours,” I should laugh at you both’” …show more content…
Edna’s decision to be independent is the most accurate representation of the idea that she is self-sufficient and doesn’t need her husband to live a good lifestyle. a. Edna tells Mademoiselle Reisz of her plans to move out of her house. b. “‘-Where are you going? to New York? to Iberville? to your father in Mississippi? where?’ ‘Just two steps away,’ laughed Edna. ‘in a little four-room house around the corner. It looks so cozy, so inviting and restful, whenever I pass by; and it’s for rent. I’m tired of looking after that big house. It never seemed like mine anyway—like home. It’s too much trouble. I have to keep too many servants. I am tired of bothering with them.’ ‘That is not your true reason, ma belle. There is no use in telling me lies. I don’t know your reason, but you have not told me the truth.’ Edna did not protest or endeavor to justify herself. ‘The house, the money that provides for it, are not mine. Isn’t that enough reason?’ (Chopin 79). c. Edna’s decision to leave the home she shares with her husband and children is a huge reflection on the development she’s made as the new woman she is becoming. She isn’t fond of the lifestyle she has with her husband, like having servants or a large estate. She is trying to feel as disconnected from her husband as possible. It also is a step in her discovering her sexuality, since the house will be used so she can bed other men. She is deciding what is best for her, not worrying about what society or her husband will think.
She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.
The final reason for Edna’s escape from her troublesome life is the failure of her relationship with Robert. Edna was able to find some form of escape through her desire and hope of being with Robert, but when those plans fell through Edna feels as if she has nothing to look forward to, nothing to live for in life. Robert realizes that he and Edna will never be able to have a true
“There was not one but ready to follow when he lead the way.” Even though Robert is not around most of the time, he influences Edna more than he realizes. “Mrs. Pontellier was beginning to realize her place her position in the world as a human being.” He essentially makes Edna second guess her marriage and the possibility of leaving her children behind. Robert brings Edna out of her shell and makes her more comfortable around others particularly standing up to her husband. “I don’t wish to go in, and I don’t intend to. Don’t speak to me like that again; I shall not answer you.” Robert shows Edna that he is connected to her and she falls for him almost instantly because that is what she has been missing while being married to Leonce. “We shall love each other… Nothing else in the world is of any consequence.” Despite the fact they have never been involved in any physical way, Robert knows that he feels more for Edna than any other women he has encountered. So he decides to run away from the truth and goes to Mexico to keep from having to show Edna his true love for her. Ultimately, Robert influenced Edna severely because she was second guessing her marriage, falling in love with him and even became friends with Mademoiselle Reisz through him. And she sadly even committed suicide in the end because she couldn’t deal with the hurt of being without
There are certain ideals that need to be met while being in a relationship; they play concrete roles in the stability of the partnership. The idea of Edna being confined in a marriage with Mr. Pontellier who doesn’t
Edna’s suicide was victory of self-expression. Edna undergoes a gradual awakening process in which portrays not to only her newly established independence from the constraints of her husband, but also her ability to go against the social norms of society in order to individually express herself. Her suicide encompases the question and critique of living life through the perspective of society such as being responsible for taking care of the kids, cleaning the house, and entertaining any guests that the husband may have over anytime. In the first couple of capters, the novel is quick to emphasize the gerneralized roles kthat are placed onto females, making it apparent that fe,ales are expected to successfully fulfil these roles. For example, Leonce enters home after being out and stated one of the kids had a fever. Edna was certain the child had no fever but Leonce belittles her capability as a mother for indifference with him. “If it was not a mother’s place to look after the children, whose on earth was it?” (27capac).
But they need not have thought that they could possess her, body and soul" (504). Although Edna did perform her duties as a wife for some time, she is not the typical housewife. She does not worship her husband or idolize her children, which makes both Edna and Leonce begin to sense that Edna is different from the other mother-women (Lin 1). Edna never realized the reasons she neglected her duties as a wife until she fell in love with Robert and acknowledged that her desires and needs exist outside of her marriage. Thus, after her experiences with Robert, Edna is ready to neglect her husband even more, because she now realizes that her husband is holding her back from her needs. When Leonce tries to make Edna act like the other women that obey their husbands, his attempts to control Edna further instigate Edna's desire for independence from him. For example, the scene when Edna is lying in the hammock, Leonce says: "I can't permit you to stay out there all night. You must come in the house instantly," Edna replies: "I mean to stay out here. I don't wish to go in, and I don't intend to. Don't speak to me like that again; I shall not answer you" (492). Edna is carefree and spirited, and she refuses to conform to her husband because she does not want to lose herself. Becoming the perfect, obedient wife would mean losing her individuality, and Edna realizes she can gain no fulfillment
Adele and Mademoiselle's lifestyles seem to be the only two options for Edna. Kinninson believes that Edna's options are the reward of complete self-sacrifice versus the reproof of female self-assertion. No middle ground exist, just these extreme contradictions. Edna is a mother of two children but being a mother or "mother-woman" doesn't satisfy her soul and her desire for self-hood. This is all part of her "awakening" and finding herself. (Kinninson, 23-24)
When Edna returns home later that day, she finds out that Robert is leaving for Mexico. She is rather upset with this news and afterwards leaves to go home. "She went directly to her room. The little cottage was close and stuffy after leaving the outer air. But she did not mind; there appeared to be a hundred different things demanding her attention indoors." (42) She tries to ignore that his leaving and not telling her affects her so much. Yet she declines an invitation from Madame Lebrun to go and sit with them until Robert leaves. When Edna sees him leave it tears her up inside that her companion, the one person that she felt understood her, is leaving: "Edna bit her handkerchief convulsively, striving to hold back and to hide, even from herself as she would have hidden from another, the emotion which was troubling - tearing- her. Her eyes were brimming with tears." (44) Edna's life is not complete when Robert leaves:
The remaining question for the reader is: Does Edna's suicide show that she succeeded or failed in her struggle for independence?
The ideals Edna had were very progressive for her time. Just as expected she met a lot of push back from most since people do not like the idea of change But one of the biggest leaps she took was moving out of her own home. An understandable gesture for a woman coming into her own, for with a change of heart of change of setting is also needed. She tells
She raises her children with a distance between them. This void shows Edna’s lack of open wings, which is considered the norm of the 19th century expectations of women. Her newfound acceptance of neglecting her maternal responsibly ignited a much larger awakening within her. A sense of individuality and the “…realiz[ation of] her position in the universe as a human being, and ... her relations as an individual to the world within and about her” grew stronger (Chopin 15). She dislikes her role being entirely centered on domestic responsibilities so she begins to stretch the bindings of society.
Edna realizes that the patriarchal society is quick to condemn particularly a freedom-seeking woman who neglects her children since she is “intended by nature” to take care of them (Dyer 126). She is "uneven and impulsive" in her affections for her children. When they leave to visit their grandmother, she is relieved because she is not suited to the responsibilities of motherhood. Edna’s mind was at rest concerning the present material needs of her children:
Unlike most women at the time, Edna refuses to conform to simply being a housewife. Edna tells Madame Ratignolle, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself.” indicating that even in the early stages of her awakening she had accounted herself more pretentious than society proclaims. At the end of the story Edna stands by her word by ending her life due to the level of unhappiness she was feeling. A housewife of those times would have simply lived her life unhappy and suffered until she possibly couldn’t. Edna on the other hand, chose to take actions into her own hands and take control of what is to happen in her life resulting in her suicide.
“Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her” (547). She looked at and heard things as if for the first time. “The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column” (556). She decided that she would move out of her house with her husband and children and would move into a small apartment by herself. This is something that women of her day simple did not do. Edna was different.
named Edna becoming independent and finding herself in a time when women had little to no