Native Son Rhetorical Analysis

To show first hand to the whites the inequality’s and hardships that the blacks face, the entire first section is in a narrative and a descriptive format. The use of these types of essays lets the readers feel more involved in the story and feel things for themselves. Split into two sections within itself, this first paragraph juxtaposes two stories — one about a “young Negro boy” living in Harlem, and the other about a “young Negro girl” living in Birmingham. The parallelism in the sentence structures of introducing the children likens them even more — despite the differences between them — whether it be their far away location, or their differing, yet still awful, situations. Since this section is focused more towards his white audience, King goes into a description of what it was like living as an African American in those times— a situation the black audience knew all too well. His intense word choice of describing the boy’s house as “vermin-infested” provokes a very negative reaction due to the bad

Many times in novels, authors will use conflicts to strengthen the plot and to give more depth to the story that they are penning. There are four main plot conflicts that authors have to choose from: man versus nature, man versus society, man versus man, and finally, man versus self. Authors, many times, will use only one or two of these conflicts but in the novel, Native Son, all four conflicts are used to some extent. In this novel, Richard Wright, does a superb job of meticulously blending all four conflicts together to form a well-rounded novel about a black man in 1920 's Chicago.

In his most famous novel, Native Son, Richard Wright's female characters exist not as self-sufficient, but only in relation to the male figures of authority that surround them, such as their boyfriends, husbands, sons, fathers, and Bigger Thomas, the protagonists. Wright presents the women in Native Son as meaningless without a male counterpart, in which the women can not function as an independent character on their own. Although Wright depicts clearly the oppression of Blacks, he appears unconscious of creating female characters who regardless of race, are exploited and suppressed. Their sole purpose in the novel is to further the story by putting Bigger in new and more dangerous situations by

In “Notes of a Native Son” by James Baldwin, Baldwin feelings towards his father are unflinchingly honest, therefore conveying the love and hatred he has towards him. His views towards his father are unkind, but demonstrate the extent in which he took to understand him. Once Baldwin begins to understand his father, he begins to develop the bitterness that his father once had. Through this bitterness, Baldwin begins to regret that he hadn't tried fixing the relationship he had with his father when he had the chance. In “Notes of a Native Son”, Baldwin uses ethos, pathos, and logos to convey sympathy for the relationship with his father while expressing how the influence of society can affect someone’s beliefs and morals.

In Richard Wright’s Native Son, the book is split into three books. The first 2 books focus mainly on the suspense and tensions rising within Bigger’s life and finally in the last book he dies. The dramatic conflict of Native Son takes place chiefly within the mind of Bigger Thomas, who lives in a world of whites, blacks , or reds. To Bigger all of life is conflict and issues that is defined by the color of your skin with the whites being higher up. The tensions within the book can be comparable to fire and ice as each element possess traits which can be seen as metaphors within the novel Native son by Richard Wright and his essay of “How Bigger was Born”.

The relationship between a father and their child is tremendously salient, and will influence the life of both the parent and the adolescent in many ways. Often, it can be difficult for someone to share their personal relationships that they had with their father, as it can be a very delicate subject. Despite this, renowned authors Brad Manning and Sandra Cisneros are two people who chose to write about their unique experiences and childhoods that they shared with their fathers. Both Brad and Sandra felt their childhood relationships with their fathers were unorthodox. This was explicitly outlined in Brad's freshman composition paper titled Arm Wrestling With My Father and Sandra's magazine article titled Only Daughter. Through varying rhetorical strategies, the authors purpose and audience is clearly portrayed in both selections.

Richard Wright, wrote the fictional novel Native Son, using three intellectual forces, which include: Naturalism, Existentialism, and Communism. He uses these forces, along with racist ideology, to shape the life of a young black male, Bigger, living in the ‘Black Belt’ of Chicago in the 1940’s. Wright refers to the ‘Black Belt,’ as a ‘black world’ where violence is directed towards other American Americans, and warns that this violence will be aimed at white people. Bigger, is used to depict the criminal actions that come along with living in racial confinement under the fear of white people during this time.

In Notes of a Native Son by James Baldwin, Baldwin uses various stylistic devices and rhetorical strategies such as personification, and metaphors. Baldwin first uses personification in order to describe his father's death. In this, Baldwin state's “Death, however, sat as purposefully at my father's bedside as life stirred within my mother's womb.” Baldwin uses this personification of death in order to show how death consumed his father, becoming a stronger person than his father was during his demise. Furthermore, this can be seen as irony, as while Baldwin's father lay dying, new life was coming about, relating to a larger theme of death leading into new life. Further personification can be seen when Baldwin states that “There is not a Negro alive who does not have rage in his blood.” Through the personification of rage, it can be seen that like death, rage can overpower one’s mentality, creating a strength equal to, or more than that of a human. Baldwin also uses the metaphor of hatred being a chronic disease as it describes how deadly hatred can be, to the point of one's life being filled and ended with rage inside their body. Together, these stylistic devices and rhetorical strategies work together to affect the overall tone and meaning of the work as they display how despair and hatred must be fought in one's heart, for one to achieve acceptance, and equal power. Overall, these stylistic choices affect the audience’s reactions as they are able to identify the tone of

Chauncey Yellow Robe, gave a very compelling short speech at the Society of American Indians annual conference. He wanted it to be known that Native Americans would fight for their America to the death, and that the proof shows in all the wars of the past. He was very adamant in showing how Native Americans were very proud to go to war for America, and all Native Americans who fought in war, were going to do so with every ounce of fight they had in them. He uses the words “Indian Patriotism”, (Page 127) to show how Indians really felt about fighting. They were willing to put aside whatever was going on at home to show their Native Pride. He goes on to talk about how Indians have sacrificed their own blood in the name of America. Not only the Indians who were fighting over seas, but those at home who were paying into war bonds and volunteering for anything to do with the

He also mentions that the Europeans subjected the locals to vexations, assaults and iniquities. This negative connotation of these words stresses Las Casas’ opinion that what the Spanish were doing to the natives was ethically wrong. The document connects to ethics and civil engagement by having Las Casas defend through argumentation a proposal for law. Here he demonstrates that not all European leaders wanted to conquer people seen as being inhuman.

According to Frederick Douglass, “it was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it (p.4).” Frederick Douglass and Toni Morrison literatures examine the stigma of slavery, and the perceptions of its dangers. They illustrate what life was like and the mental as well social impact it had on enslaved African-Americans and their life after gaining freedom. Richard Wright convinces his audience in Black Boy that he was tired of the limitations and outcries in the South “I was not leaving the South to forget the South, but so that some day I might understand it, might come to know what its rigors had done to me, its children (284).” Alice Walker obtains her readers attention by transforming young women into their own characters with a voice using spiritual guidance. In Native Son, Bigger has achieved is lost after being apprehended and brought into captivity, as he transitions back into silence and passivity and begins to recover only in his final confrontation, whereas Douglass in the same prevailing convention, only heals after the regaining of his freedom. Through these literatures, and many others, African-Americans find multiple ways to alleviate and recover from the intensity of undesired bondage and bigotry.

  In Native Son, Wright employs Naturalistic ideology and imagery, creating the character of Bigger Thomas, who seems to be composed of a mass of disruptive emotions rather than a rational mind joined by a soul. This concept introduces the possibility that racism is not the only message of the novel, that perhaps every person would feel as isolated and alone as Bigger does were he trapped in such a vicious cycle of violence and oppression. Bigger strives to find a place for himself, but the blindness he encounters in those around him and the bleak harshness of the Naturalistic society that Wright presents the reader with close him out as effectively as if they had shut a door in his

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

When one looks at the contribution of blacks in the world of American literature, Richard Wright is considered one of the great contributors. Truly one of his books which highlights the black’s view of American society has to be Native Son. In Native Son, Richard Wright creates the characterization of “native sons” who are products of American civilization. From his own life experience, he portrays in Bigger Thomas a combination of character traits that illustrate persons who have lost meaning in their lives. Bigger Thomas represents the black man’s

Richard Wright composes the short story “How Bigger Was Born” to explain why he wrote the novel Native Son. He expresses his experiences, thoughts and feelings in the short story, which further leads to the creation of the novel. Wrights expressions and ideas correspond to the events that occurred in the novel and I consider my thoughts compatible with fulfillment. The short story, “How Bigger Was Born”, is the foundation of the character Bigger Thomas and his told life.