Power of female characters in “Othello” In Shakespeare’s time, women didn’t have as much freedom as they do now. Instead, it was a time that they ought to behave in a certain way in response to their family’s honour under a strict social hierarchy and rules. However, Shakespeare gave three women power in Othello. Desdemona, Emilia, and Bianca, although they are from different social classes, are able to use their power to successfully resist male authority. “Othello” begins in middle of an argument between Roderigo and Iago. Desdemona and Othello’s wedding is the main topic of their argument. Desdemona is a Venetian beauty who is treated as a possession of her father, Brabantio, but by marrying an outsider Othello, she goes against the tradition of venetian custom which she is expected to marry a rich man to maintain her family’s honour. Iago reports Brabantio that his daughter is being stolen by Othello. “Awake! What ho, Brabantio! Thieves, thieves!” (1.1. 76). This quote depicts how unmarried women were treated back in 16’s century. However, while everyone in the play thinks that Othello has stolen Desdemona to marry him, Desdemona speaks herself to prove that she truly loves Othello. “That I love the Moor to love with him” (1.3. 246). Also, she even asks for her permission to go to Cyprus with Othello because she can’t stand the thought of remaining at home, which doesn’t have any adventure. There is a comparison between her social class and her
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is.\...Oh, she deceives me\ Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the
The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love
The relationship between Desdemona and Othello in the play ‘Othello’ is used to express and observe the way that humans are selfish by nature. Although both Desdemona and Othello do sincerely love each other, both of them find great personal gain in their marriage, which clearly contributes to their feelings for one another. Othello, who is a black leader in an overwhelmingly white, Christian society, has come from a troubled and difficult background, being “sold to slavery” and working in the military all his life. In finding a good Christian wife in Desdemona, he finds someone to always support him in hard times, as evidenced in his summary of their romance, “she loved me for the dangers I had passed, and I loved her that she did pity them”. This quote suggests that their love is more self-serving than he lets on; Desdemona loves Othello for the adventures he has been on and the stories he tells, and Othello loves Desdemona because she listens and devotes herself to what he has to say. When Desdemona gets a chance to explain their relationship herself, she is particularly proud of the fact that she “did love the Moor to live with him; my downright violence and storms of fortunes may trumpet to the world”. We note that she mentions her ‘violence’, the way she deliberately disobeyed her father and fled his company to secretly marry a man who is not one of her father’s approved suitors. This furthers the idea that Desdemona seems to be in love with Othello because of the adventures he has been on, and the excitement and liberty of her being with such a man; she is seeking her own freedom in a misogynistic society by defying her father to marry Othello. Their relationship is
In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.
In a deep analysis, this phrase best explains the expectation of a women in Venice that they are supposed to agree in accordance of all their husband’s will and use them in any way their husbands wish to utilize them. Furthermore, the capacity of women as connected to marriage was portrayed by the sweet message that came from the lips of Othello to Desdemona. “Come, my dear love. The purchase has made, the fruits are ensue; The profit’s yet to come ‘tween me and you” (Act II, Scene 2, Line 8-10, Page 100). With this statement, it can be said that purchase and marriage are synonymous. If the message is read between the lines, it can be inferred that Othello purchased or bought Desdemona and she is anticipated to meet the sexual pleasures that Othello need or want. Tied to women perceived as possessions is their personal assumed characteristic of being passive.
to be weak and naïve in the eyes of her father. We can tell this from
Othello is set during the Elizabethan era, where men were considered to be the leaders and women their inferiors. Women were often regarded as the ‘weaker sex’. This patriarchal society and theme of male superiority is portrayed throughout the play. These themes are depicted through the relationships between the characters. Brabantio and Desdemona’s relationship shows how he believed the traditional Elizabethan view, that men were to control and dominate their wife’s or daughters. He is furious at Othello for stealing his daughter from him. Also, Othello’s masculinity is destroyed through the poisoning of his mind against Desdemona, his wife. Iago also treats his wife
At the outset of the play Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him to the home of Brabantio, Desdemona’s father, in the middle of the night. Once there the two awaken the senator with loud shouts about his daughter’s elopement with Othello. This is the initial reference to the role of women in the play – the
In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.
Emilia is often dubbed as “the feminist of Othello” by a scholars and critics because of her, seemingly, fiery independence among a sea of submissive women (Caitlyn, Act Four: The Feminist of Othello). The characterization of a woman who speaks out for herself suggests that Shakespeare thought progressively as during that time women were mere objects rather than human beings. The plot of Othello revolves around the misgivings of poor communication and lack of trust among the characters. Tragedy ensues, as it does in all of Shakespeare's works, but could it have been prevented? Report after report applaud Shakespeare for developing a true feminist role model, however sometimes a character who has attitude gets mistaken for honorable. This poses the question, does Emilia truly deserve the title as of a feminist?
When Brabantio has finally located Othello, with torches on another street in the middle of the night, the senator exclaims loudly his right of ownership: “O thou foul thief, where hast thou stow'd my daughter?” With the Turkish campaign against Cyprus in motion, the Duke of Venice scarcely has time for Brabantio’s protestations. Furthermore, the duke recognizes Desdemona’s right to marry whomever she prefers. In exasperation the senator disowns his Desdemona, not permitting her to stay at home while Othello is away at Cyprus. So she goes with the ancient and Emilia.
n Shakespeare's play Othello many issues are undertaken and explored. The three women play a vital role in this. Only one of the women in this play survives. All the women have no separate identity within the play; all three are married or associated with a male character. Bianca is the mistress of Cassio, Emilia is married to Iago and Desdemona is married with Othello. According to the time that the play was written in and the general hierarchy within Venetian society men hold all the power and women are considered to be of low intellect. Yet it is the women that speak the most sense throughout the play and it is also the women that are able to trust other characters in the play. Each woman represents a different social level, Desdemona
Desdemona’s action, instead of asking her father’s permission, eloped with the Moor, Othello, is another form of social transgressive action. It seems she denies her father any right in choosing or granting, instead she decides in her own, to marry Othello. This act of independence illustrates Desdemona’s transgression to perform her role as daughter, and reflects icons of masculine which is considered as “incorrect” gender performance. Marrying Othello has also proved that Desdemona breaks the social norms of women’s passivity during her time.
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
In the play Othello , Othello strongly represents feminist criticism because he cares so much about their relationship that he couldn’t handle the thought of her cheating on him. He played a big role in the play from being a powerful governor along with being a deep lover. Othello and Desdemona, the daughter of A senator from Venice, fell for each other and are married behind her father’s back. The father, Brabantio, finds out and says that Othello used his magic on her, but yet he still sent the two to Cyprus together. Othello captured Desdemona with his stories about his past and Desdemona quickly falls in love with him. Even though the love of the two is strong Othello lets his ensign Iago draw him into his lies about his woman showing