In our modern world, we often neglect the cultural importance of art. Large collections of traditional artifacts are present in museums across the world, but the number of annual visitors shrinks every decade. Because of the decreasing demand of live works of art, those who manage museums must choose every exhibit and display case wisely to ensure maximum appeal to the general public. Important decisions regarding museum structure change museums every few years, similar to how “Peale’s Museum . . . grew from a small sampling of curiosities . . . to a large and impressive collection of scientifically classified specimens in the 1820s” (Source B). In order to consistently modify museums, the management must consider what pieces of …show more content…
Because of this, it is important that those responsible for the selection of artworks to not only consider the historical value of each exhibit, but also the possible revenue. It is important to avoid a “lack of consensus about the composition of . . . permanent collection and the direction [the] collecting should take in the future” (Source A). Without careful consideration, “financial woes [will be] exacerbated by a poor management structure, a result of a decentralized system” (Source A). However, the subject of money also brings criticism; some believe that financial gain is an “unlawful and immoral spoliation of art” (Source F) and “[a] work is chosen for reproduction, not because of its place within an educational context, or because of its intrinsic aesthetic worth, but because of its marketability” (Source D). While this is a valid thought, we must remember that if a work of art was not culturally and aesthetically appealing, it would fail to bring in funding anyway as its popularity would decrease. The biggest “money-making” displays are successful because they are appreciated by such a large audience, thus “achiev[ing] the proper balance whereby the educational goals maintain their ascendancy and the profits grow” (D). If a museum was truly run by greed and a desire for financial success, the public would lose interest in the lack of historical context and the museum would ultimately become bankrupt regardless of how “financially adequate” the works of art are. Because of this harmonious balance, museum representatives must carefully select works of art that attract enough visitors to shovel in profit and consistent funding for such historical and artistic
Throughout today’s society, media contributes to almost everyone’s daily life. From informative news channels to comical television shows, media proves to be effective in advertisement, releasing messages and informing the audience. Although media proves to be wildly effective in advertising, releasing messages and informing the audience, periodically destructive and misleading messages are provided to the audience and directly influencing women. Cultural critics widely agree that media tends to negatively influence women and all the critics point to research which supports the belief that women are portrayed as subordinate to men, having no
Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.
What makes a museum different from a billionaire’s private collection is patronage. Thus, a museum must be able to attract visitors interested in its displays. This captivation of interest should be for the purpose of entertainment. No one wants to go to a dull, boring museum and look at dull, boring paintings. One museum that capitalized on human intrigue was that of Charles Wilson Peale. Peale established the first natural history museum in the United States. (AP
It has recently been brought to my attention that our school is looking to adopt a sustainable menu into our meal program and I would like to give my viewpoint on the matter. As one many students here at Oxford Academy this change will affect me directly. Although people may at first oppose this conversion I think if we are able to overcome the first obstacles, this change would bring a great positive impact to the environment and the health of our students.
Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of
At the beginning of the 20th century, American Progressive methods began changing to fit a new era of economic and social policy. The early 1900s were a time of increasing social awareness and focus on responsible legislation. Some of the economic changes that caused this new Progressive awareness and focus were desire for growth, new moral ideologies, and an orientation around workers' rights.
In Amy Chua’s essay, “The Right Road to America” she argues the point that immigration is a great value of this country and that America was built from immigrants. One thing differs from Chua’s essay than from others because she not only gives highly credible facts on how immigrants have helped our country, but she also provides ways to improve the issues of immigration into America. Amy Chua is a highly credible professor at Yale and states throughout her essay that immigrants who possess American values deserve to be here in America and those who don’t should leave. America had always been a country that accepted immigration and allowed all
When a museum has prestige on a national level, they can be under high scrutiny of exhibits or objects displayed by the public. Controversial topics, for example, the Enola Gay exhibit, has left historians hesitant and confused on how to create exhibits with correct history, but also not upsetting any individual who were involved with said history. Historians have a trying task of addressing both sides of a historical event, even though it might depict individuals in an unflattering way. A historian is not allowed to have a bias for events, this could have an impact on the way an exhibit is created. Another point that was brought to light in Bunch’s article was museums have the ability to educate the public, so difficult topics should not be
I hope to see museums make more concerted efforts to educate the public. Too many exhibits are of the “passive, didactic looking” than like the engaging Object Stories program (Dartt, Murawski). Exhibits should seek to tell untold narratives, and programs should be places of communication and cross-cultural encounters. For too long, difficult confrontations have been avoided, both inside the museum, and by dominant communities
The Ohio State University is home to one of the best college football teams in America. The university has a rich history where several famous players and coaches have emerged. One famous coach in particular is Jim Tressel, who coached at Ohio State from 2001 until 2011. During his tenure, he had a winning record that came to an abrupt end as a result of multiple ethics violations. Tressel’s full range leadership, critical thinking, team dynamics and ethical behaviors will be examined in this thesis. Based on the information found in the study guides, Tressel is a visionary leader who was not ethical. Despite a lapse in ethics, he led the Buckeyes for nearly a decade with a vision to win, and he did just that.
When one marvels at a painting it is tempting to take in one section at a time so as to not miss anything. Certain work entices the audience to come forward, into the scene. Yet the whole painting in its entirety is made to be experienced from a distance, a place where the expanse of the scene can be taken in fully for all it was created to be. Certain brushstrokes or movements only come together when viewed from three yards away. An art museum is a sanctuary filled with these temptations. Each illustration depicts a different story that can only be fully understood once one stands at a distance, senses the mood, researches the historical background, and asks the question: “Why did the artist make the choices he/she did?”
The display is curated by Interim Director of Museum Studies, Dr. Kendall H. Cocoa, with B. Karenina Karyadi, Lauren Nochella, Kristy Odett, and Ariana Rizo, as a halfway prerequisite for the CSULB Graduate program in Museum and Curatorial Studies.
The art market has developed through the centuries from the patron commissioned economy. The art landscape is allocated on the reputable risk of attention and the purchasing power. Those who capitalize in this dicey financial arena are wealthy status symbol seekers, instead of monetary. Technology has progressed globalization, too. Galleries in countries, not thought of as art hubs, can now competing with the major global hubs in the art world. Total art sales are increasing every year, as the market transforms.
Museums were established for the recognition and preservation of historical artefacts. With this in mind, when the audience views an object in a museum, they may recognise it as being historically important and other works not exhibited, especially by female artists, fail to reach recognition due to the exclusion of curators and art collectors’ prejudiced opinions.
‘Imagine you were in charge of a museum’s collecting policy. What would you chose to collect and how would you justify these decisions?’