Terpsichore's Nine Muses And The Goddess Of Dance And Chorus

Penelope is a great example of how Greek women should act in early society. Penelope was loyal to her husband, she was clever, and she was a good mother to her son Telemachos. Penelope honored her husband and didn’t go against him even though he was gone for over 20 years. She also had to face over 100 suitors while Odysseus was gone. Penelope showed her cleverness when she told the town she would remarry when she finished weaving the rug. Every night Penelope would undo the work she weaved so she could buy time for her husband. She was very faithful to her husband and believed him that he would return to her. These traits that Penelope show are how other Greek women should act in society. The roles women played in society was that they

Sirens in mythology are defined as beautiful, destructive creatures -either half woman, half bird or half woman, half fish- that obtain power by luring sailors to their deaths, causing their ships to crash on the reefs near

Although having pride in yourself may be a positive in moderation, being too proud of oneself will lead to nothing. Many who look down on others will never learn from their peers, and will only boast of their own achievements. In the poems from “The Odyssey Book 12” by Homer and “Siren Song” by Margaret Atwood, both authors write of Odysseus’ struggle regarding the Sirens. Sirens are half-woman, half-bird creatures who use their music to tempt sailors to shipwreck on islands or to jump off the boat to their death. They call out to him on his journey back home, trying to get him to come to them. The Sirens sing of his great accomplishments, and use flattery to lure him out. These poems show that arrogance and vanity will get one nowhere.

In the story “The Odyssey” there are a couple temptress’. Two examples are Calypso and the sirens. In “The Odyssey” Calypso keeps Odysseus on her island for seven of the years the he was gone. She kept him away from his beloved spouse Penelope. In book 5 it says, “But he saw nothing of the great Odysseus, who sat apart, as a thousand

This woman of surpassing beauty provides an emotional test for the hero along his journey. This role is filled by Calypso in the epic, a gorgeous nymph whose love for Odysseus makes him her captive for seven years. Ulysses’s trek to his homeland is significantly altered by the appearance of the Sirens down at the river, three women who try to capture the men for the bounty through physical attraction. The Sirens of Homer’s work are a challenge along the hero’s travels, but they do not play such a profound role like Calypso. The nymph’s love for Odysseus was true, her heart fixated on the hero that landed upon her isle. The Sirens of Ulysses’s tale used sexual temptation to drag the men in, their intentions driven by greed. Both Odysseus and Ulysses face these women as their sensuous powers delay them from reaching their treasured goal: home. The presence of these characters helps establish the protagonists’ humanity, demonstrating how love and temptation also linger within the hearts of heroes. The contrast between the motivation of Calypso and the film’s Sirens shows two distinct characters: the temptress moved by love and the temptress moved by

In Greek mythology, sirens were sea nymphs who used their sweet song to lure mariners to their death. The nature of the sirens and their origin story prove that most women, in Greek culture, were a depiction of someone who will seduce men and lead them to their doom. Women were the givers of life in an age when the processes of conception, fertility and childbirth were still deeply mysterious and little understood. With this, men wanted women to have a limited role in Greek culture because men feared the power that women have. Even though there were powerful female figures, like Athena and Aphrodite, the majority of women is represented as what men fear and made sure women had a limited role in Greek mythology and society. In Greek culture women were perceived as beautiful creatures who will seduce men, but have nefarious intentions, and the myths of women in Greek culture proving that men always feared the power that women could have.

The Sirens in the Odyssey represent more than just a maritime danger to the passing ship. They are the desires of man that he cannot have. The Sirens can also be construed as forbidden knowledge or some other taboo object. Whatever these singing women actually are, the sailors are wise to avoid them. As usual, the wily Odysseus cheats at the rules of the game by listening to their song under the restraints constructed by his crew.

In Greek mythology, sirens were creatures who lived in the sea that had beautiful appearances and voices that led the incoming sailors to their doom. By using their melodic voices they compel the sailors to jump into the ocean, leading them to their death. In the novel, The Great Gatsby, F. Scott Fitzgerald compares Daisy Buchanan to sirens. Similarly to the sirens, Daisy lures in men with her melodic tone to an inaccessible fantasy, compelling them towards her and leading them to destruction.

Homer’s tone towards the Sirens deprecates and objectifies them, while Atwood’s tone towards the Sirens is empathic and woeful, for the purpose of revealing male oppression and its effect on females. Homer describes the Sirens as an experience for the hero’s benefit. The Sirens sing their song to Odysseus, and according to Homer, the song’s purpose is to let man “hear to his heart’s content” and sail away “a wiser man” (Homer 18). The Sirens are merely an experience, an object, that a hero grabs on his journey, according to Odysseus. Odysseus is the only one to have “heard the honeyed voices pouring from [their] lips”(Homer 17). Through this imagery, Homer communicates the perspective of Odysseus. He sees women as something to elevate his status

The title of Sarah B. Pomeroy's book on women in antiquity is a summary of the main categories of females in the literary imagination and the societies of ancient Greece and Rome, over a period of fifteen hundred years. Beginning with goddesses, Pomery retells some Greek myths, outlining the social functions of female Olympians – the goddesses are archetypical images of human females, as envisioned by males. Desirable characteristics among a number of females rather than their concentration in one being are appropriate to a patriarchal society. Demosthenes states in the fourth century B.C. this ideal among mortal men, "We have mistresses for our enjoyment, concubines to serve our person and wives for the bearing of legitimate children (Pomery 1995)." Pomery’s goal in writing this book was to detail and outline the true significance of women in all other their roles in antiquity.

Pomeroy, S. B. (1995). Goddesses, whores, wives, and slaves: women in classical antiquity. New York: Schocken Books.

Terpsichore the muse of dance and greek chorus lived in Ancient Greece. One day Terpsichore was outside in the woods practicing her dance for the big show she would put on for Pan the god of animals. Terpsichore was all alone in a meadow when she tripped and hurt her ankle terribly. Terpsichore went to the old wise lady in her village and was told that her ankle was broken and that she could not dance for 6 weeks. That meant that she could not perform for Pan.

Music in Ancient Greece was well integrated in their society, it played a large role in various ceremonies from marriages to funerals, as well as entertainment like plays or epic poetry. Although it is believed that music was invented in Africa over 55,000 years ago, music really began and took shape in Ancient Greece. Even the word music came from the Greek word muses who were believed to be the daughters of Zeus and were the patron Goddesses of creativity. There are many references to music in ancient Greece, from drawings on pottery of people playing, as well as literary works that even describe how the instruments sounded. Speaking of instruments, in addition to the voice being used as one, there are several instruments that are known to have existed in Ancient Greece, a few different string instruments including a lyre, a kithara (which is believed to be the ancient equivalent of a guitar), and a barbitos, which is a taller version of a lyre. They also had several wind type instruments including and aulos, pan pipes, a hydraulis (which eventually led to the modern day organ), as well as a salpinx, which was an ancient type of trumpet with a bone mouthpiece that was the origin of the many brass instruments that we know of today. Finally, we also know of several percussion instruments that were used by the ancient Greeks, these include a tympanum, which was like a tambourine, a crotala, and a koudounia. Music was actually one of the main teachings, along with gymnastics

course of events, the chorus is used to apply a setting, or a mood in the play. For example on page 1281, the chorus

In section 18 of the Poetics Aristotle criticizes Euripides for not allowing "the chorus to be one of the actors and to be a part of the whole and to share in the dramatic action, . . . as in Sophocles." Aristotle may be thinking of the embolima of Euripides' later plays (satirized also by Aristophanes), but he is certainly wrong about the Medea. Its choral odes are not only all intimately related to the action but are also essential for the meaning of the play, particularly because here, as elsewhere (e.g. Hecuba), Euripides forces us reevaluate his main protagonist in midstream and uses the chorus (in part) to indicate that change.