The Iliad, Book I, Lines 1-14 Homer Achilles’ wrath, to Greece the direful spring Of woes unnumber’d, heavenly goddess, sing! That wrath which hurl’d to Pluto’s gloomy reign The souls of mighty chiefs untimely slain; Whose limbs unburied on the naked shore, Devouring dogs and hungry vultures tore. Since great Achilles and Atrides strove, Such was the sovereign doom, and such the will of Jove! Declare, O Muse! in what ill-fated hour Sprung the fierce strife, from what offended power Latona’s son a dire contagion spread, And heap’d the camp with mountains of the dead; The king of men his reverent priest defied, And for the king’s offence the people died. Translated by Alexander Pope. This poem is in the public domain.
In almost all instances of war the cause has been related to greed, or the gaining of land and possessions. Greed is presented in the very first book of Homer’s “The Iliad.” It isn’t displayed by the cowards, but the “heroes” of the war such as Agamemnon, Achilles, and Pandarus. The entire cause of the Trojan War is the result of the greedy and cowardly behavior of Paris. There are many factors that had sparked the war, including the interference of the gods; however, the main factor to be blamed for the war is greed.
Justice is a major part of this story and the most significant to the Iliad. Although the word justice can be interpreted in many different ways, It is served by Achilles when he is trying to get back at the son of Priam, Hektor for killing his friend Patroklus who was very special to him. In book 22 Achilles achieves justice for his dear deceased friend as he “drove the spear as he came on in fury.” Achilles wanted Hektor to go through the same pain that Patroklus must’ve experienced and it was only fair that Achilles punished Hektor himself so that they would then be even, although it resulted in two deaths because of them. In addition to Achilles attack on Hektor during his final breaths in book 22, Achilles tells him “I have broken your strength; on you the dogs and the vultures shall feed and foully rip you.” He says these words to him to show him that his actions have consequences and
A description of Achilles’s rage in Homer’s The Iliad is shown when Odysseus says to Agamemnon,
Homer’s Iliad and Thucydides’ History of the Peloponnesian War ask if death and philotēs can exist simultaneously. In the respective texts, that which Achilles and the Athenians encounter prove they will not exist in harmony for “human nature” is “incapable of controlling passion” and “the enemy of anything superior” (HPW 3.84). When Achilles does not receive his earned honor after battle and death’s toll from the war blurs the Athenians’ identity, their grief causes apathy. Achilles withdraws from his own people with a “rage, black and murderous” causing his own army to buckle which parallels the Athenians who at Pylos become “obsessed with the idea...to attack Spartans” (HPW 4.34). Before these cruel lapses in judgment, both desire
The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.
Achilles’ pride is the usual trigger and fuel for his rage. In Book 1 of the Iliad, during the strategy meeting on how to deal with Apollo’s curse on the Greek camp, Achilles’ honor is threatened by Agamemnon. This insult to the prideful warrior almost leads to Achilles physically lashing out against his commander. It takes a god coming down from Mt. Olympus to quell his fury and to put his mind right. Not long after, Agamemnon follows through with his boast to take Achilles’ prize and delivers on the dishonor he had threaten Achilles with. This assault on Achilles’ pride causes him to withdraw from the war effort, to spite Agamemnon and his arrogance. His rage against Agamemnon is fueled by his wounded pride, keeping Achilles out of combat until after Book 18, where a new event ignites a terrifying fury within Achilles’ heart.
The Iliad begins with the clash between Achilles and Agamemnon. Agamemnon has little, if any, respect for the gods. This is displayed by his irreverent
“Rage—Goddess, sing the rage of Peleus’ son Achilles, murderous, doomed, that cost the Achaeans countless losses.” (The Iliad, Page 77) Apollo had sent a plague upon the Greek camp causing may greeks to die, trying to help Chryses get his daughter back. Calchas offered to help fight the plague. Though he fears Agamemnon’s vengeance, Calchas reveals the plague as a vengeful and strategic move by Chryses and Apollo. Agamemnon flies into a rage and says that he will return Chryseis only if Achilles gives him Briseis.
The poem in Book 1 lauds Achilles as the finest warrior of the Athenian army. Nonetheless, when his commanding general, Agamemnon refuses to return to return the captive Chryseis to her father, the priest of Apollo, and a plague ensues, Achilles becomes an insubordinate (disrespecting his commander) by demanding that he return
The Iliad: Book VI is about the continued war for Troy but Homer focuses a lot of the book on Hector, Prince of Troy. The Achaeans were overwhelming the Trojans so they were forced back into their city. The Trojans were weakened so the Achaeans took full advantage and slaughtered as many as they could. However, the Trojans anticipated this weakness and Hector asked his mother to pray to Athena for the army. Meanwhile Paris, Hector’s brother, had withdrawn from battle because of the grief he caused. But his soon to be wife Helen and Hector convince him to return to battle. Just before they head into battle Hector pays a visit to his wife and child to say goodbye for maybe the last time. His wife is convinced that he is near his death and mourns. Hector then meets Paris on the way to the city gate and they prepare to fight.
Achilles can be described as a Tragic Hero in many ways. He was brave and had great strength but, he was also prideful and lacked control with his emotions, and in all the label of a tragic hero fits him. A Tragic hero is “a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy” (“Tragic Hero”). To many men Achilles was god-like, and immortal, the epitome of a hero to the Greeks, he was strong, brave in the face of war, and of noble birth because he was the son of a goddess. In the Iliad, Achilles, driven by anger seeks revenge on Hector for killing his “dearest comrade” (“The Heroic Age”), Patroclus, whom he claims to have valued more than his own life. He
Achilles knew that the Achaians could not win the war without him. His alienation was the catalyst for the destruction awaiting the Achaians. He was aware of this, but, because of his pride, he did nothing to stop it. When Priam visited Achilles to redeem the body of his son Hektor, Achilles showed a more humane side of himself. “So [Priam] spoke, and stirred in [Achilles] a passion of grieving for his own father” (488; bk.24, ln.507). Priam appealed to Achilles’ human emotions by speaking of his father; he provoked sympathy in Achilles. Achilles had integrated himself with humanity once more and had begun to see life from a mortal point of
“Remind him of that, now, go and sit beside hime, grasp his knees... see how mad he was to disgrace Achilles, the best of the Achaean” (1, 484-490). This pacifies Achilles’ rage briefly while he goes back to the ships and refuses to help the struggling Achaeans on the battlefield because Agamemnon hurt his pride. Another instance that highlights Achilles flaw of anger is when the great Trojan warrior, Hector, kills Achilles close comrade Patroclus. Achilles bursts from his sulking attitude out of the Achaean ships in a rage of passionate fury that even his pride cannot overcome. “My dear comrade’s dead... Hector’s battered down by my spear and gasps away his life, the blood-price for Patroclus, Menotius’ gallant son he’s killed and stripped” (18, 94-109). This signifies Achilles’ zenith of anger and represents the turning point in the epic, along with the transition into his dramatic reversal as a character.
Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the
The main idea of the Iliad is written in the first line, as Homer asks the Muse to sing of the "wrath of Achilles." The main theme in the Ilyad is anger – the vice which is not included into Homer's ideal, which leads to impulsive decisions and alienation from the society, but its abscence brings good consequences.