The Love Suicides At Amijima Summary

Through life, people experience many kinds of love. Many people often believe they love someone, when they actually do not because they may not know what the word means. As much as we want to understand love, it is still simply indescribable. As C.S. Lewis tries to explain it in his book, The Four Loves, it is still a mystery as to what love truly means. I believe in order to know what love means, one must experience it. It is quite true that went two individuals are in love with each other, they know it and can feel it. No matter how much love is studied and looked at, every individual must experience it to understand it. Along with this love lies circumstances which lead

Shakespeare’s Romeo and Juliet – popularly considered by many to be the quintessential love story of all time – is a play that we are all familiar with in one way or another. Whether it be through the plethora of portrayals, adaptations and performances that exist or through your own reading of the play, chances are you have been acquainted with this tale of “tragic love” at some point in your life. Through this universal familiarity an odd occurrence can be noted, one of almost canonical reverence for the themes commonly believed to be central to the plot. The most widely believed theme of Romeo and Juliet is that of the ideal love unable to exist under the harsh social and political strains of this world. Out of this idea emerge two

One of the most difficult aspects of any given historiography, is in the distinction between the ideals of a society, and that of actuality. While sources may represent the specifics that people may have aspired to, in everyday life, things would naturally become more complicated. Of particular note of this can be seen when dealing with the societal expectations of gender. Throughout the selected passages, about homosexuality in Tokugawa Japan, the personal writings of Admiral Yi Sun-sin, and excerpts from Song Ruozhao’s Analectics for Women, it can be seen that although each society had its own concepts of gender, once can see that the actual implementation did not always run parallel.

I believe that The main theme of The Love Suicide at Amijima entirely means that marriage does not equal happiness and love! This can be spotted during the play through Osan’s self-sacrifice with the rest of her money being spent on that document and Jihei ultimately choosing a tragic death with Koharu instead of living with Osan. She gave up the rest of her savings to save her family and relationship from a such tragic hidden secret. Osan sacrifices to make Jihei happy no matter what the cost. Osan knows that her husband, Jihei, has been seeing a prostitute, Koharu. Osan believes that Koharu will commit suicide because she would rather die than not be with Jihei and continue in her line of work. The only way to save her would be to pay the ransom to free her. Also a “metaphorical movement down to hell, up to death at dawn, and a culminating vision of happiness in paradise.” (Asian Studies, 1).

Fighting for justice in “Revolutionary Suicide” presents two conflicts between suicide and salvation. In Oakland California around 1970, African Americans were being so mistreated that a movement was created to fight for black power which is known as Black Panther Party. African Americans were going up against the police and government of the racist south. This was a time Jim Crow laws had just ending along with segregation ,but that dosen’t mean that the whites of the south still didn’t have the same intentions they used to have about blacks. Which lead to many confrontations that resulted in death or injury causing revolutionary suicide. In poem “Revolutionary Suicide,” The style of the poem is built of a cause and effect. First, the speaker addresses that having nothing causes him to have everything .“By having no family I inherited the family of humanity …By having surrendering my life to the revolution I found internal life.” Readers can get an impression that the speaker would make a great leader. Especially when he tells the audience that he is willing to sacrifice himself in order to gain revolution. The speaker is confronting the opposition letting them know he is not afraid of death nor them. He also writes this in the poem

In the novel Kokoro, Natsume Sōseki uses his character Sensei to represent how guilt can weigh too heavily on a person. Throughout the story, Sensei's interactions with the Narrator, both verbal and nonverbal occurrences, showcase how guilt leads to other negative emotional experiences, such as loneliness and misery. Sensei's internal struggle with guilt shapes the entirety of his adult life and the unfolding of the events in the book. This paper aims to show the implications that Sensei’s guilt has upon his life, especially his relationships with others.

Shakespeare’s Romeo and Juliet is a tragedy that involves young lovers, their “untimely death,” and a feud between their two families. The Capulets and the Montagues war against each other. The feud continues to escalate and provides the background for the story of these “two star-crossed lovers.” This literary masterpiece is still relevant today since it involves parental ambition, family fighting, and young love.

There are several different definitions for the word love. Love is a simple four-letter word, with a multitude of caring and feeling behind it. There is a difference between loving somebody and being in love with somebody. The love between two best friends or between a husband and wife are the types of love that people want to last forever. However, there are no guarantees that it will last forever. Furthermore, the love between family members and the love between a parent and child is the kind of love that will last a life time.

The word love can mean many things. Love can be an object, emotion, and a life. However, love could lead to a loss of power, prosperity, and status. In the literary work “Romeo and Juliet” written by William Shakespeare, the readers are introduced to a tragic love story. In this play, readers are also shown the different perspectives of love and the many downfalls it could lead to. The central theme of this work is the recklessness of love. The theme is significant because it is shown throughout the whole story and it’s a strong force that takes place of all the other emotions and values. In this play, Shakespeare uses characters to present different aspects of love. In addition, Nurse, Mercutio, and Romeo completely show what actual love is and what it is like to lose it due to their experiences.

In the essentially dual religious system in Japan, ideologies and traditions play a heavy role in the everyday life of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism coming in from mainland Asia. A particularly powerful idea from Buddhism is mono no aware, the realization and acknowledgment of the impermanence and its place in the world. This idea that nothing stays the same forever manifests itself heavily in Japanese literature, whether in personal writings or fictional works. Despite spanning hundreds of years, each work was shaped by and include manifestations of mono no aware. I intend to underline and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences between them. In this paper, I have three works that I will explore, each one corresponding to a different time period before the pre-industrial revolution; The Diary of Lady Murasaki comes from the classical period, Essays in Idleness from the medieval, and the immensely popular play Chushingura from the pre-modern era.

They are the ritualization in Japanese culture, women’s implicit expression of love, women’s hierarchy in 18th Japan, and how the landscape of Japan influences the prosperity of Geisha culture.

Love has many different meanings to different people. For a child, love is what he or she feels for his mommy and daddy. To teenage boy, love is what he should feel for his girlfriend of the moment, only because she says she loves him. But as we get older and "wiser," love becomes more and more confusing. Along with poets and philosophers, people have been trying to answer that age-old question for centuries: What is love?

It is no secret that for centuries, the Japanese woman has been, to most observers, a model of elegance and graceful beauty. A picture of a kimono-clad, modest, and often silent woman has been plastered everywhere, allowing for the upmost passive subjection. If we look deeper into this image of woman, can we tell if this picture is complete? How do these women painted in representative images far in the modern world? The ideal woman in Japan is expected to be both a good wife, and a wise mother. Though these seem like reasonable expectations, there is a much deeper meaning to them that has shown signs of being outdated. During the 1800’s and 1900’s, women were subjected to society’s vision of them, and could not break free for fear of the

Natsume Soseki’s Kokoro illustrates the struggles of a young man (the narrator) who was alienated from his family and his loneliness as he pursues acceptance and love by building a friendship with an elder.  As a parallel to this, the elder (Sensei), sought an end to his social isolation through his love to a woman whose qualities were not tainted by modernity. K, Sensei’s childhood friend, had also hinted his struggles in isolation as he tried to keep to his idealistic principles. This paper will analyze the isolation and loneliness that was faced by the Japanese people during a period of significant modernization and how they approached it and attempted to solve the conflict between tradition and modernity.

This function of marriage endured throughout much of human history, even transcending different cultures, so often, in plays from past centuries, marriage plots function not like a familiar Katherine Heigl romantic comedy but rather like a business deal. This disparity leaves modern audiences who grew up on these movies unable to understand the at times strange, clinical nature of marriage in plays such as Goldoni’s A Servant To Two Masters. Furthermore, without this knowledge of the historical practice of marriage, audiences cannot clearly understand the dynamic between fathers and daughters like Pantaloon and