The, The Message Pt. 2

The rest of the chapter talks about the similarity of minstrel images in 1990s hip-hop, as evidenced by the defining characteristics of greed, violence, hyper sexuality and pathos in “gangsta rap” (a sub-genre of hip-hop further defined in chapter two). Ogbar balances this landscape with challenges to what he calls “neo-minstrelsy” from both inside and outside the hip-hop community, including discussions of the Spike Lee movie, Bamboozled, underground conscious hip-hop groups such as The Roots and Little Brother, and the activist “Stop Coonin’ Movement”, to name a few. Throughout the book, Ogbar explains how rappers strive for authenticity by “keepin’ it real”. And that is defined by how they rap, walk, talk, and make their

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

Dating back to the times of slavery, the black community in America has historically used music as a vehicle for self-expression and introspection. The blues was the original form of musical self-expression, and was conceived from “field hollering”, the melodious manner in which slaves working the fields and forests aired out grievances and gave their opinions on their present situation. The use of music for communal empowerment and expression of self within the black community is still seen today, but is seen in the more contemporary genre of hip-hop music which originated in the early 70s in the New York Inner City. Grandmaster Flash is credited with being one of the original pioneers of the hip-hop

For thousands of years, music has been a form of self-expression that has united groups of people through its historical and traditional meaning. In the 1980’s, a new, more diverse genre took over the music industry by storm., Hip-Hop/Rap. This contemporary genre has raised much controversy over the years from parents, educators, and conservatives. These groups worry that Rap music glorifies negative lifestyle choices such as drugs, violence, sex and gangs; and those lyrics’ influence on youth. Since music is more apart of youth’s life than ever, these concerns are questioning the limitations on Rap’s explicit content. However, Rap serves as a positive outlet for self-expression without limits, allowing artists to freely communicate their journeys and struggles. In addition, Rap sheds light on current political/social issues in a relatable, digestible way; allowing youth to be more conscious and involved in society & its struggles; resulting in improved race relations and narrowing the gap between the rich and poor.

As thorough and rewarding as Bradley’s close reading can be, it is this sole focus that becomes problematic in Book of Rhymes. He stays on the surface, privileging the discussion of linguistic elements over cultural impact. He begins his wordplay chapter with an anecdote about a friend who disapproves of the misogynistic and violent elements of the Notorious B.I.G.’s lyrics, a qualm addressed by Bradley in a customary manner: “It’s not what he’s saying, it’s how he’s saying it” (86). Bradley is partially correct; how he’s saying it is the aesthetically appealing aspect of hip hop, the reason millions of people around the world enjoy the music. But what he’s saying is the more compelling aspect. The environment that produced the attitudes reflected in hip hop, the source of Biggie’s misogyny and violent imagery, must be given its proper treatment in order to understand rap music on deeper levels than the beauty and complexity of its poetic structures.

Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all

Thesis: the paper’s focus on hip-hop as a music genre that has changed the lives of the black Americans

Trap music is a sub-genre formed out of rap music first created in the late 90’s in the southernmost part of the United States. While the sub-genres actual creators are unknown, the first artists to adopt the musical style where Gucci Mane, Triple Six Mafia, and UGK (Music Origins). The similarities trap music has on rap music is almost uncanny, due to the involvement of rap music without the vocal and lyrical aspect. Thus, trap music has gained a following from new and upcoming artists including The Migos, Chief Keef, 21 Savage, and Lil Uzi Vert, who have brought the subgenre onto a mainstream level. The definition of the word “trap” refers to a place where drugs are often, made and sold

The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings

We can surmise, then, that Obama’s image is directly related to the notion of the “post-racial” through his failure to explicitly discuss racism, which in turn, affects how notions of race and raciality are conceived and discussed in the American socio-political landscape as a whole; in contrast, hip hop is in a position to deal more explicitly with race and racism. As Jeffries argues, “Poverty, disorder, and ghetto culture are central to analyses of hip-hop meaning, thanks to the symbolic importance of the ghetto as an element of hip-hop authenticity and the historical importance of neglected urban space as the birthplace of hip-hop culture” (Thug Life 28). Thus, hip hop remains firmly rooted in traditionally Black spaces and experiences which lends hip hop and rap artists the

Hip hop and rap as a musical genre is a very controversial subject for nearly everyone. Its influences are powerful, both positive and negative. There are many positive influences of hip hop, and a few examples are the breaking down of cultural barriers, the economic impact, and political awareness of pressing and urgent issues. Though there are many positive influences, there are many negative influences as well. Some of the more heated debates of the negative influences of hip hop are that it glorifies violence, and the fact that the music sexualizes women and degrades them as well. Attached to the negative outlook on hip hop, there are also many stereotypes assumed by society towards this type of culture

Trap music is a recently revived form of music. It’s made up of hip hop and dubstep sounds and rhythms with similar components. The lyrics are widely considered violent, degrading, and straight up disrespectful. Parents often complain about the kids these days. Should they blame the music often blasted through radio speakers and chanted by teens?

It has been 30 years since Hip-Hop was first “introduced” to the world. Whether it be fashion or politics, this musical genre/culture plays a huge role in everyday life and has generated billions of dollars across the globe. In this paper I will be discussing when, where, and how Hip-Hop was created, “old school Hip-Hop, “Hip-Hop’s Golden Age”, “Hardcore rap” “Gangsta rap”, “G-Funk”, 21st century Hip-Hop, and how Hip-Hop affects society.

The term ‘hip-hop’ refers to a complex culture compromising of four elements: deejaying, rapping, rhyming, graffiti painting, and b-boying. These elements incorporate hip-hop dance, style, and attitude. “Hip-hop originated in the primarily African American economically depressed South Bronx section of New York City in the late 1970s” (Tate, pg.1). Hip-hop is a culture of fashion, language, music, movement, visual art and expression. The genre of hip-hop comes with a very significant history and evolution with its own heroes, legends, triumphs and downfalls. “Real” hip-hop is often stressed in the 21st century due to what is being passed off as hip hop, and it is often made clear that just because one takes a hip hop class, or listens to hip-hop music, does not mean they conform to the true immersion of hip-hop culture. Therefore, “real” hip-hop encapsulates the true essence of hip-hop culture, untarnished by impurities such as rapacious record labels, and vapid, materialistic subject matter. Due to the background of how and where hip-hop first emerged, the African American culture often feel responsible to protect what is for them, and to protect the culture of hip-hop entirely. Boyd states that even though hip-hop as a culture was created as a social movement, the “commercializaiton” of hip-hop demonstrated in film and media construes it to another form of urbanization and popularity”(Boyd, 79). However, in the two movies being examined in this essay (Save the Last Dance