Woman Hollering Creek Analysis

In A Place Where the Sea Remembers, Sandra Benitez invites us into a mesmerizing world filled with love, anger, tragedy and hope. This rich and bewitching story is a bittersweet portrait of the people in Santiago, a Mexican village by the sea. Each character faces a conflict that affects the course of his or her life. The characters in this conflict are Remedios, la curandera of the small town who listens to people’s stories and gives them advice, Marta, a 16 year old teenage girl, who was raped and became pregnant. Chayo is Marta’s big sister and Calendario is Chayo’s husband. Justo Flores, his conflict is person vs. self. One of the most important conflicts in this story is person vs. person, then person vs. supernatural followed by

Cisneros creates the conflict of love between Cleofilas and her husband, Juan Pedro, in which they struggle with because of the constant mistreatment he exerts upon her. Although love is an intense feeling that is often expressed through affection and intimacy, Cleofilas believes that love is always physical, and when conveyed, it is also painful. As she watches her current favorite telenovela Tu o Nadie, (You or No One), she begins to think the way one should live there life is by only wanting one person and nobody else and that “To suffer for love is good” (45) and “The pain is all sweet somehow in the end” (Cisneros 45). Because of her lack of female guidance and better representation of a realistic relationship between a husband and wife, she automatically assumes that her husband’s beatings towards her are love, when they are undoubtedly, domestic violence. Furthermore, Cleofilas consistently thought that “If any man were to strike her, she would strike back” (48). However, that was not the case when Juan Pedro hit her for the first time. After He slapped her twice, Cleofilas stood in shock and “Did not fight back, break into tears, or run away” (47). Regardless of her lack of self defense, the slaps left her speechless because it took her by surprise,

The character Clemencia for Never Marry A Mexican is just so refreshing and modern. A women of her words. Her fierceness and unique voices help me realizes that these invisible double standard gender stereotypes is only as strong as to how much I believe in them. Before reading this short story, I was indulge into a society where it 's a shame for women to think of men sexually let alone a marry man. I think it is a sign from society to pretty much wanting women to be pure and well behave. But, Clemencia she goes against that current. Her thoughts are liquid and they sting. They let the readers in and be apart of her brain as a spectator. She makes the reader, realizes how powerful she is and she is able to have that power because

Cleofilas feels that she could not do much, but she becomes hopeful about her situation. For instance, Cleofilas has to remind herself why she loves her husband when she is changing the baby’s Pampers, or when she is mopping the bathroom floor (Cisneros, 1991, p. 249). Cisneros emphasizes that many women who are controlled and abused often feel that they need to remind themselves why they married their husbands. Cisneros points out that when an individual loves someone they should not have to ask themselves why, nor worry so much about getting hurt.

She doesn't know being beaten by her husband is not a normal thing. She is living in the suburbs with her husband with neighbors who in their own way, are trapped as well. Cisneros also shows how life can be for Cleofilas when a mom is not present to guide heir, again, Cleofilas's only guide are the television series. "The creek, the televonelas and the border define the mythic spaces given to Cleofilas in her fantasies of escape from a battering husband."(Mullen 6) The town which Cisneros chose to have as the setting of the story, there isn't much for her to do;" in the town where she grew up, there isn't much to do except accompany the aunts and godmothers to the house of one or the other to play cards."(Cisneros 44) Using that, Cisneros helps the reader to get a taste of how the environment is. An environment which women don't have a say in, an environment where woman don't have the equal power as men; the environment Cleofilas was raised in.

You can see how Maria’s El Salvador is empty of people, full only of romantic ideas. Jose Luis’s image of El Salvador, in contrast, totally invokes manufactured weapons; violence. Maria’s “self-projection elides Jose Luis’s difference” and illustrates “how easy it is for the North American characters, including the big-hearted María, to consume a sensationalized, romanticized, or demonized version of the Salvadoran or Chicana in their midst” (Lomas 2006, 361). Marta Caminero-Santangelo writes: “The main thrust of the narrative of Mother Tongue ... continually ... destabilize[s] the grounds for ... a fantasy of connectedness by emphasizing the ways in which [Maria’s] experience as a Mexican American and José Luis’s experiences as a Salvadoran have created fundamentally different subjects” (Caminero-Santangelo 2001, 198). Similarly, Dalia Kandiyoti points out how Maria’s interactions with José Luis present her false assumptions concerning the supposed “seamlessness of the Latino-Latin American connection” (Kandiyoti 2004, 422). So the continual misinterpretations of José Luis and who he really is and has been through on Maria’s part really show how very far away her experiences as a middle-class, U.S.-born Chicana are from those of her Salvadoran lover. This tension and resistance continues throughout their relationship.

Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth

Thesis statement: Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships women face, but also explores their power to overcome them.

Hispanic-American population in the United states is dramatically increasing as a result of immigration patterns and increase birthrate of the ones already residing in the the United States. The movie Selena is an example of Latino family residing in the country who wants to fulfill the “American Dream”. Isolation and discrimination of Hispanic-Americans particularly Mexican family has also been illustrated in the movie. Despite social class stratification, Selena’s family try to breakthrough to the English-speaking audience mainstream to be accepted. In this film, the father is characterized as the head of the family - dominant, strong, aggressive, invulnerable, and superior. Portrayal of tight-knit family values and interdependence is seen in this movie, as well.

“Beautiful and Cruel” marks the beginning of Esperanza’s “own quiet war” against machismo (Hispanic culture powered by men). She refuses to neither tame herself nor wait for a husband, and this rebellion is reflected in her leaving the “table like a man, without putting back the chair or picking up the plate (Cisneros 89).” Cisneros gives Esperanza a self-empowered voice and a desire for personal possessions, thing that she can call her own: Esperanza’s “power is her own (Cisneros 89).” Cisneros discusses two important themes: maintaining one’s own power and challenging the cultural and social expectations one is supposed to fulfill. Esperanza’s mission to create her own identity is manifest by her decision to not “lay (her) neck on the threshold waiting for the ball and chain (Cisneros 88).” Cisneros’ rough language and violent images of self-bondage reveal the contempt with which Esperanza views many of her peers whose only goal is to become a wife. To learn how to guard her power

Cisneros’ family bounced back and forth between Mexico and the United States for most of her youth, which led to firsthand experience in the difficulties of growing up as a multicultural person (Doyle. 54-55). As an adult, she settled in San Antonio, Texas, but that feeling of not belonging to either culture never left her. She drew on this feeling as inspiration for many works, including “Woman Hollering Creek,” a short story about a Mexican woman, named Cleofilas, brought to live in the United States by her new husband. She is excited to leave her lazy brothers and old-fashioned father behind, and dreams of the endless possibilities that

To begin, the protagonist Clemencia is like a chameleon, who can blend into any social event and with any class of wealth when she says ““I’m amphibious. I’m a person who doesn’t belong to any class. The rich like to have me around because they envy my creativity; they know they can’t buy that. The poor don’t mind if I live in their neighborhood because they know I’m poor like they are, even if my education and the way I dress keeps us worlds apart”(Cisneros 71,72). Clemencia is a woman who knows how to talk and have a good time. By nature she is a very creative being who loves to impress by wearing the best clothes, and show off to anyone to make herself seem better than others. (Cisneros 71). Clemencia is poor and does not have much being that she works for the school system as a translator, and other various positions. But acts rich and very wealthy to all of her friends (Cisneros 72). This connects with the myth of La Malinche, of how the character is a bad woman who sleeps with lots of men.

The other main character of the story is Adelina a girl who leaves her home in California to go to Mexico. Adelina is driven out of the United States because her family won’t accept her relationship with her lover, so they both decide to go to Tijuana, a city in Mexico. Not much is said about Adelina’s experienced in the United States. What we do know is that she had a family that loved her, but she decided to leave it all behind to be together with her boyfriend Gerardo. In Mexico she finds nothing but shame and misery because Gerardo could not find a job and the only way for them to make money was for her to be a prostitute. Besides having to expose her body, Adelina, is physically and emotionally mistreated by her boyfriend until it finally leads to her death when she tells him that she is going back to the United States with Juana.

Nevertheless, instead of the satisfaction he expected from his wife about her new house, Mamacita seems to feel discontented about it. “She still sighs for her pink house, and then I think she cries. I would. Sometimes the man gets disgusted. He starts screaming and you can hear it all the way down the street” (p. 77). Mamacita gets extremely nostalgic about her pink house in Mexico. Her complaints make her now-irritated husband to yell and force her to stay in her house on Mango Street. To make matters even worse, her baby boy begins to imitate an English commercial he has heard on television. The book mentions, “… the baby boy, who has begun to talk, starts to sing the Pepsi commercial… No speak English, no speak English, and bubbles into tears. No, no, no, as if she can’t believe her ears” (p. 78). Mamacita’s child has begun to speak English, a language that she can’t interpret at all. The thought that her family relies on English devastates Mamacita, and this makes her feel completely torn apart. In the end, Mamacita refuses to learn English and assimilate to the people around her, so she becomes isolated and lonely.

In this fiction short story “Ines in the Kitchen”, Cristina Garcia discusses a women in the story Ines, who is a housewife and pregnant. Garcia talks mainly about the character Ines and her situation and emotions. Throughout the story Ines feels trapped and confused about life in the choices she made, she feels betrayed not in the since from someone but of herself and the expectation of being a women. The author Cristina Garcia creates themes through the use of the elements of conflict and Plot to show the main character’s situation.