The Deeper Meaning Behind the Dozen The number 12 was central to Greek stories and Mythos. Examples of this are the 12 main deities, and Hercules’ 12 tasks. This number was also deeply relevant to the plot of the Iliad, and appears at almost every major plot point. The first appearance is the number of days until Zeus will return to Mount Olympus and Thetis can approach him with Achilles’ plea (1.449)—and the last is the number of days until they will resume war after the return of Hector’s body to his people (24.717). This gives the book another level of closure and symmetry, with the same amount of time passing as the story begins and ends. Twelve of an object is frequently used in connection with the gods as well as with the dead,
In almost all instances of war the cause has been related to greed, or the gaining of land and possessions. Greed is presented in the very first book of Homer’s “The Iliad.” It isn’t displayed by the cowards, but the “heroes” of the war such as Agamemnon, Achilles, and Pandarus. The entire cause of the Trojan War is the result of the greedy and cowardly behavior of Paris. There are many factors that had sparked the war, including the interference of the gods; however, the main factor to be blamed for the war is greed.
Throughout recorded history, man has sought explanations for the various phenomena that occur in every facet of nature, and when no obvious answer is forthcoming, still a theory is often proposed. These explanatory theories, often taking the form of stories or chronicles, are usually linked to some sort of mysticism or divine intervention. By ascribing that which he does not understand to the gods’ will at work, man avoids facing up to his own lack of knowledge in a given area, and also draws comfort from assuming that the universe does indeed function under the guidance of divine beings. Thus the explanatory accounts that man crafts enhance his own security, quelling the fear of chaos that
“As is the generation of leaves, so is that of humanity. The wind scatters the leaves on the ground, but the live timber burgeons with leaves again in the season of spring returning. So one generation of men will grow while another dies” (6.146-50)
The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.
Anger has always been the down fall of humanity. For generation man fought in war for political claiming their rights. What right does any one man has gather troops in the name of love, hatred and thirst has send innocent people to their death. What make men mad that give their back to their people that they can careless for the consequent or outcome of their action. In the end of a war who wins and who losses. People that no one will ever know who they were but with courage fought for? In the Iliad, Homer’s descries the moment when the warriors filled themselves with bravery and yell the cry of war prior to going into battle, this is also the same cry that generation that follows become conflicted
Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer’s time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.
Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.
Throughout our studies on Greek mythology we have learned that, The Odyssey, demonstrates a prime example of the heroic cycle. The story begins after the defeat of the Trojans in the Trojan War. The greek hero, Odysseus, embarks on his victorious journey back to his home land of Ithaca. Fatefully, Odysseus’s journey goes awry resulting in him being captured and held hostage for seven years by the greek goddess, Calypso. Ultimately, the gods of Mt. Olympus decide the time has come for Odysseus to return to Ithaca and be reunited with his family. The gods send Hermes to Ogygia, Calypso’s island, to set Odysseus free. From that moment on, Odysseus is thrusted into his own heroic cycle. In Homer’s, The Odyssey during Odysseus’s journey to
The term “foil” is a “character who contrasts with the protagonist in ways that bring out certain of his or her moral, emotional or intellectual qualities,” as defined by Sharon Hamilton (143). Achilles is the main hero of the “The Iliad”, a warrior who is angry and excluded. The contrasting and secondary hero is Hector. He is also a warrior and upcoming King of Troy who fights courageously for Troy. In his epic poem, “The Iliad,” Homer uses Hector as a foil to Achilles to emphasis their different qualities by comparing their emotions and actions.
Thus did the Trojans watch. But Panic, comrade of blood-stained Rout, had taken fast hold of the Achaeans and their princes were all of them in despair. As when the two winds that blow from Thrace- the north and the northwest- spring up of a sudden and rouse the fury of the main- in a moment the dark waves uprear their heads and scatter their sea-wrack in all directions- even thus troubled were the hearts of the Achaeans.
Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the
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The Iliad is an epic tale of war and hero’s within the Greek way of life. A
Central to any study of the humanities is the human condition – our nature, which has historically shown that it is equally capable of both good and evil deeds – and the problem that arises from it; specifically, why do humans suffer? Many philosophies and religions have their own account for this aspect of humanity, and we find that what the accounts have in common is each explains the human condition in terms that are similar to how that institution of thought explains the true nature of reality.
The Iliad ranks as one of the most important and most influential works in terms of world literatures since its establishment. Between the underlying standard to which the Iliad offers us as audience members, along with the plethora of writers that have followed in the footsteps to which Homer’s Iliad paved, the impact that the Iliad has played is remarkable in itself. While the Iliad can be credited for much of present day literature we study today, Hollywood can be created for the plethora of world-class films and replication of iconic works of literature over its time as well. Wolfgang Petersons Troy is a prime example of a world-renowned poetic being transformed into a Hollywood production. While the 2004 American epic adventure war film, Troy was a huge hit in the box office, and full of world-class actors such as Brad Pitt and Orlando Bloom; it does lack many critical events and characters that play a key role in Homer’s Iliad.