Gender Roles in the Epic of Gilgamesh
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
The obvious role of men in the Epic of Gilgamesh is that of the position of power. Anu, a male, is the most powerful God. Furthermore, not only is Gilgamesh the king of Uruk, but he is also two-thirds divine, which gives him unparalleled power, at least in the human world. This is evident in
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"O Shamash, rise against Humbaba the mighty gale winds...let rise thirteen winds and Humbaba's face darken, let the weapons of Gilgamesh then read Humbaba!" (George, III, 88-93). Clearly, gender plays a significant role in terms of Ninsun being a wise woman in a motherly position.
Ninsun is not the only woman that takes on the role of a wise woman who provides guidance. After passing through the twin mountains of Mashu, Gilgamesh encounters Shiduri, the tavern keeper. Lost in his wanderings, he is forced to seek advice from her on how to reach Uta-napishti. It is ironic because after his blatant abuse of power and mistreatment of women, as mentioned above, it is a woman that he seeks advice from in one of his weakest moments. She tells him how to reach Uta-napishti and the dangers that lay in between and tells him to find Ur-shanabi so that he may continue his journey.
In addition to providing guidance, women also play powerful roles. Take Shamhat for example. She uses the power of sex and curiosity to lure Enkidu away from his wild environment. After having sex for seven days and seven nights, Enkidu was no longer able to return to live amongst the animals and was forced to learn the ways of civilized life, which Shamhat taught him. It is easy to see that at this point in the epic, Shamhat clearly possessed the upper hand over Enkidu. He
Ninsun is another powerful women in Gilgamesh. Technically she is actually a goddess. She plays as a helpful mother, but her other lady like values are not taken away because of this. It mentions when she goes to talk to Shamash that she “put on a garment as beseemed her body”, and “donned her tiara” (113). This indicates that although she is a mother she is still a beautiful and powerful goddess.
I feel as though all of the books show different characters from different places having to deal with their own struggles also having different beliefs such as religion. But what all these books seem to have in common is gender bias against women. Women play pretty important roles in the books we have read this year.
In the Epic of Gilgamesh, gender plays a very significant role, because while women were not the most powerful gods nor the strongest or wisest of all humans, they still had tremendous influence over others around them, and even today, over those who study and learn about the women of the time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not necessarily play a minor role. One particular issue that is demonstrated among several others in the Epic of Gilgamesh is the status of women. Since this is a story of women's status many years ago, it is indeed an interesting issue to discuss,
The Epic of Gilgamesh follows a tale of two brothers tasked with defeating an all-powerful beast, yet they aren’t the most important characters in this story. Without their wisdom and guidance, Gilgamesh and Enkidu’s journey would have ended a lot sooner, and Gilgamesh would have still rampaged in Uruk, never bringing peace to those who were below him. Aruru, Shamhat, Ninsun, Ishtar, Siduri, and Utanapishtim’s wife all contribute to Gilgamesh’s journey, and in the end, provide Gilgamesh with the necessary tools in order to transform his character. These women in The Epic of Gilgamesh are essential to the plot, and provide both wisdom and perfection, but can also bring temptation and destruction if given the power to do so.
For thousands of years there has been a strong distinction between the roles of men and women. Often times in stories there will be women that are only mentioned for their beauty and charisma. Hardly ever will you see pages upon pages being spent talking about the true character and accomplishments of women characters. Even though stories like The Epic of Gilgamesh and the Book of Genesis were written thousands of year ago, (when stories were told mostly told from a males perspective) the light shined on women in the texts show them as wise, strong, and greatly influential beings. In The Epic of Gilgamesh and the Book of Genesis, the writer shows the women as bringers of knowledge, guidance, and care to the men in the texts that are lacking thereof.
The Epic of Gilgamesh is a story of Gilgamesh, a man who was two-thirds god that was saved by companionship. Gilgamesh was a cruel and careless king, who spent his time raping women, exhausting citizens, and conquering foes and foreign lands until he met, fought and was guided by his great friend and soul mate, Enkidu. With the help of Enkidu and his influence, he learned compassion as well as wisdom and integrity, and eventually Gilgamesh became a great and fair king. Though the story focuses mainly on Gilgamesh and his friendship with Enkidu, there are several roles played by women that help to make and move the story along. Without these important women who show great strength and feminine qualities despite being oppressed by the
About 2700 years ago there lived a king by the name of Gilgamesh who ruled the city of Uruk in Mesopotamia now known to us as modern day Iraq. Parts of his life are written on clay tablets believed to be the oldest existing written story of a man’s life. (XI). “The epic of Gilgamesh”, is the story of his quest for eternal life. In this paper I will be writing about the influence that the women in his life have played in his quest.
Although men are the Epic characters of Gilgamesh and The Odyssey, women also play a very important role in both stories. In general, these two stories portray women as being overly sexual, deceptive, and having a power over men. Women use their sexuality to hold control over men, to confuse and deceive them.
Gilgamesh's friend Enkidu runs wild until he sleeps with a harlot, after which the wild beasts which were once his friends reject him, suggesting that femininity is also a source of male disempowerment. Although Aruru is the source of both the life of Gilgamesh and his beloved companion Enkidu, the two friends create a society between themselves that is essentially masculine. This masculine relationship is the most positive force in the epic. Gilgamesh is known for his sexual prowess amongst women, but his feelings for Enkidu run much deeper and are more profound. He is said to be drawn to Enkidu "as though to a woman" but no relationship Gilgamesh has with women parallels the one he has with Enkidu (2).
In Homer’s The Odyssey female characters have a surprising amount of power over men. In Ancient Grecian times women were usually thought of a being less than men, only performing domestic tasks and serving them. In contrast, The Odyssey portrays many females as strong and having a lot of power over men. One specific example is the witch, Kirke. She exerts her power by tricking Odysseus’s men, making choices for herself, and finally helping Odysseus get to Ithaca in the end. In her actions we can learn that through womanhood there are powers that are even stronger than that of being a man.
The Epic of Gilgamesh contains several instances where women are regarded as objects that solely provide men with pleasure, specifically with the story of Shamat and Enkidu. In the beginning of the epic, the story is introduced with the creation of Enkidu and his transformation into a human being; a vital part of Enkidu’s transformation being a woman named Shamat. Shamat acts as the bait or lure that leads Enkidu out of his animalistic lifestyle, and causes him to become human. In order to do so, Shamat is told to do sexual acts that will arouse Enkidu. For example, the
Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales
For centuries, books, television shows, even beloved childhood movies have subtly reinforced the social construct of patriarchy. Classic movies such as Cinderella and Sleeping Beauty follow the typical story line of a damsel in distress, followed by a heroic man coming to her rescue. This conception of a male focused storyline is nothing new and is an aspect that constitutes patriarchy, which has existed since the advent of agriculture and has persisted throughout the centuries. In fact, patriarchy was a major theme that was reinforced in the first story ever recovered; The Epic of Gilgamesh was written as early as 2000 BC in Mesopotamia and is loosely based on the Sumerian king, Gilgamesh. The story tells of Gilgamesh’s adventures with his friend Enkidu as they conquer everything from other men to the Bull of Heaven. Throughout the story, patriarchy is heavily reinforced. Although the driving force behind patriarchy is personal attainment of security and status, a number of objectively undesirable events result such as the subjugation of women and societies that value control and dominance. The narrator reinforces different aspects of patriarchy in The Epic of Gilgamesh by portraying men in a good light and women in a bad one, focusing society around males, withholding agency from female females, normalizing violence, and creating the need for unequal relationships between men and women.
Women in The Epic Of Gilgamesh and Mesopotamian Society In the Epic of Gilgamesh, gender plays a very significant role, because while women were not the most powerful gods nor the strongest or wisest of all humans, they still had tremendous influence over others around them, and even today, over those who study and learn about the women of the time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not necessarily play a minor role. Throughout The Epic of Gilgamesh, the roles of women are mixed. Women are represented as harlots (Shamhat), as wise (Ninsun), and as gods (Ishtar). There is a substantial amount of gods which are represented as women and it could represent a society with multiple
In the ancient world, views of women were often derogatory, yet some viewed women as intelligent and powerful. The Epic of Gilgamesh and Lysistrata both display the complex opinions towards women of the time. In The Epic of Gilgamesh, the characters Shamhat and Ishtar provide the audience with a biased view towards women, but this work also provides a more positive opinion of women through Siduri, Utnapishtim's wife, and Aruru. As paralleled in Aristophanes’s Lysistrata, Calonice and Peace represent negative perspectives of women, but this play also portrays women positively with Lysistrata and Myrrhine. The ancient texts of The Epic of Gilgamesh and Lysistrata simultaneously depict women as inferior, equal to, and superior to men to represent the complex views of women that were present during ancient times.