“The world is still sexist.” — Barbara Broccoli. From the creation story to modern day, women and men still struggle with a power dynamic of inferiority and superiority. The problem of sexism has been ever-present throughout history, and although it has been acknowledged by many, it has not been eradicated or resolved. Although the acknowledgment of sexism has grown over the course of the modern era, it is heavily rooted in society’s developmental process, which makes it continuously difficult to annihilate. Furthermore, throughout many historical texts, women are often represented as objects instead of real people. Within texts, such as the Epic of Gilgamesh, the Bible, the Quran, and the Torah, women are constantly regarded as inferiors instead of equals with men. Throughout these texts, there is a clear separation between the treatment of men and women, with women always being referred to as property. The Epic of Gilgamesh contains several instances where women are regarded as objects that solely provide men with pleasure, specifically with the story of Shamat and Enkidu. In the beginning of the epic, the story is introduced with the creation of Enkidu and his transformation into a human being; a vital part of Enkidu’s transformation being a woman named Shamat. Shamat acts as the bait or lure that leads Enkidu out of his animalistic lifestyle, and causes him to become human. In order to do so, Shamat is told to do sexual acts that will arouse Enkidu. For example, the
These actions define the king as despotic by Babylonian standards. Further, his entrapment of Enkidu shows Gilgamesh using sex to corrupt. Enkidu lived a life of ignorance and bliss in the wilderness. He did not know fear, age, and many human constructs that make life arduous. Gilgamesh weaponizes sex by sending a prostitute to Enkidu, in aims of domesticating him. This sex removes Enkidu from the natural world and forces him to adopt attributes of humanity (alcohol, clothing, shaving). The Mitchell translation of the scene shows Enkidu’s sudden loss of power and separation from his natural life, explaining “He set off towards his beasts. When they saw him, Enkidu, the gazelles shied off . . . he could not run as before” (Mitchell 13). Therefore the act of sex marks his irrevocable entrance into civil society; through sex, Enkidu desecrates his innocence and is barred from his pure life. In this sense, Gilgamesh begins with one man the abuser of sex, and the other the abused. As both men build their relationship, Gilgamesh begins to incorporate Enkidu’s mature understanding of compassion into his character and diverges from his initial status as a cruel tyrant.
In The Epic of Gilgamesh it starts off talking about how Aruru forms a man named Enkidu out of clay that is supposed to be just like Gilgamesh. One day a hunter spots Enkidu in the woods and becomes terrified because of how wild he is. The hunters father tells him to go to Uruk and ask Gilgamesh for a prostitue to tame Enkidu. The hunter gets the prostitute and goes to a watering hole to wait for Enkidu, they waited for three days. Eventually Enkidu shows up and the hunter tells the prostitute to lay down and expose her breasts so that Enkidu will see them. Enkidu notices the naked woman and goes up to her and they have sex for six days and seven nights. After that Enkidu tries to go back to the animals and he noticeably is weaker. His mind seemed to be awakened and confused. He went back to the prostitute and she assures him that things will be fine. The first thing I noticed when I read this is that they never called the prostitute by her name which is pretty demeaning. Also did they have to use a woman to lure Enkidu into becoming less wild and more civilized? I feel as though they could have done it without using the prostitute. They only used her for her
In the Epic of Gilgamesh, gender plays a very significant role, because while women were not the most powerful gods nor the strongest or wisest of all humans, they still had tremendous influence over others around them, and even today, over those who study and learn about the women of the time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not necessarily play a minor role. One particular issue that is demonstrated among several others in the Epic of Gilgamesh is the status of women. Since this is a story of women's status many years ago, it is indeed an interesting issue to discuss,
The Epic of Gilgamesh follows a tale of two brothers tasked with defeating an all-powerful beast, yet they aren’t the most important characters in this story. Without their wisdom and guidance, Gilgamesh and Enkidu’s journey would have ended a lot sooner, and Gilgamesh would have still rampaged in Uruk, never bringing peace to those who were below him. Aruru, Shamhat, Ninsun, Ishtar, Siduri, and Utanapishtim’s wife all contribute to Gilgamesh’s journey, and in the end, provide Gilgamesh with the necessary tools in order to transform his character. These women in The Epic of Gilgamesh are essential to the plot, and provide both wisdom and perfection, but can also bring temptation and destruction if given the power to do so.
For thousands of years there has been a strong distinction between the roles of men and women. Often times in stories there will be women that are only mentioned for their beauty and charisma. Hardly ever will you see pages upon pages being spent talking about the true character and accomplishments of women characters. Even though stories like The Epic of Gilgamesh and the Book of Genesis were written thousands of year ago, (when stories were told mostly told from a males perspective) the light shined on women in the texts show them as wise, strong, and greatly influential beings. In The Epic of Gilgamesh and the Book of Genesis, the writer shows the women as bringers of knowledge, guidance, and care to the men in the texts that are lacking thereof.
Throughout The Epic of Gilgamesh, women treated the men like gods. When Shamhat was sent to seduce and recover Enkidu, she did so without any struggle or fight. After she had successfully turned him from his animal ways by spending six days and seven nights laying with him, she praised him. “You are so handsome, Enkidu, you are become like a god” (The Epic of Gilgamesh 107), She then uses her own clothing to dress him before leading him to food and shelter. Because she saw him as a god, she sacrifices her own clothing to clothe
About 2700 years ago there lived a king by the name of Gilgamesh who ruled the city of Uruk in Mesopotamia now known to us as modern day Iraq. Parts of his life are written on clay tablets believed to be the oldest existing written story of a man’s life. (XI). “The epic of Gilgamesh”, is the story of his quest for eternal life. In this paper I will be writing about the influence that the women in his life have played in his quest.
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
Although men are the Epic characters of Gilgamesh and The Odyssey, women also play a very important role in both stories. In general, these two stories portray women as being overly sexual, deceptive, and having a power over men. Women use their sexuality to hold control over men, to confuse and deceive them.
Gilgamesh's friend Enkidu runs wild until he sleeps with a harlot, after which the wild beasts which were once his friends reject him, suggesting that femininity is also a source of male disempowerment. Although Aruru is the source of both the life of Gilgamesh and his beloved companion Enkidu, the two friends create a society between themselves that is essentially masculine. This masculine relationship is the most positive force in the epic. Gilgamesh is known for his sexual prowess amongst women, but his feelings for Enkidu run much deeper and are more profound. He is said to be drawn to Enkidu "as though to a woman" but no relationship Gilgamesh has with women parallels the one he has with Enkidu (2).
Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales
In both The Epic of Gilgamesh and The Tale of Genji women play a very important role. In a time were men were considered to be leaders, fighters, and the powerful decision makers, it was the women behind them that supported, advised, and took care of them. In the ancient times females were considered dominate over males because they had the ability to carry a child and continue human life. These two tales show us the important roles that women played and the vulnerability of women in a male dominated world. In each story women are considered as important characters, but each story portrays them differently.
Sexuality is not new; in fact, it is possibly the oldest existing occurrences in human history. It even goes back to the days of Gilgamesh and, though not given labels and limitations, it definitely has an important presence in the Epic of Gilgamesh, written by Anonymous. Yes, it is important. Three of the major game-changing events in The Epic of Gilgamesh involve sex, or the refusal of it. One involves using the act of sex to civilize. Another one involves rejecting sexual advances and how that can result in a big mistake. The last involves the soul ties one can conclude after sex. The Epic of Gilgamesh tells the journey of Gilgamesh as he works to obtain immortality. Although Gilgamesh never achieves immortality, the women of the text play
Women in The Epic Of Gilgamesh and Mesopotamian Society In the Epic of Gilgamesh, gender plays a very significant role, because while women were not the most powerful gods nor the strongest or wisest of all humans, they still had tremendous influence over others around them, and even today, over those who study and learn about the women of the time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not necessarily play a minor role. Throughout The Epic of Gilgamesh, the roles of women are mixed. Women are represented as harlots (Shamhat), as wise (Ninsun), and as gods (Ishtar). There is a substantial amount of gods which are represented as women and it could represent a society with multiple
Patriarchal monotheism can explain why women are seen as inferior to men; this goes as far back as 3,500 years when Judaism was founded to present day. Judaism was the first patriarchal monotheistic religion, but definitely not the only one; following it was Christianity, then Islam. Taking a more in depth look at Islam, the stories “The Answer Is No”, “House of Flesh”, and “Another Evening at the Club” demonstrates the aggressive patriarchal society women of Islam face and how these women seem to challenge these stereotypes.